JACK'S GARDEN

Cole mimics the cumulative technique of ``The House That Jack Built'' to describe the garden the eponymous hero might tend in his backyard. In addition to entertainment, the story provides information on the ecosystem of a simple garden, layering in detail about the flora and fauna it supports. The drawings display proficiency with a colored pencil; the human figures are unimpressive, but they are also scarce—the bulk of the book is given over to birds, bugs, and plants. There are ten variations of the ladybird beetle alone, and nearly as many butterflies. The scenes can be static, but the insect specimens are interesting and accurate. Capped by a lively and elegant design, the book should supplement to an elementary science lesson; what Jack's Garden lacks in personality, it more than makes up for in attention to detail. (Picture book. 3+)

Pub Date: April 1, 1995

ISBN: 0-688-13501-3

Page Count: 28

Publisher: Greenwillow Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1995

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An inspiring call to action for all who care about our interconnected planet.

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WE ARE WATER PROTECTORS

In this tribute to Native resilience, Indigenous author-and-illustrator team Lindstrom and Goade invite readers to stand up for environmental justice.

“Water is the first medicine,” a young, unnamed protagonist reflects as she wades into a river with her grandmother. “We come from water.” Stunning illustrations, rich in symbolism from the creators’ respective Ojibwe and Tlingit/Haida lineages, bring the dark-haired, brown-skinned child’s narrative to life as she recounts an Anishinaabe prophecy: One day, a “black snake” will terrorize her community and threaten water, animals, and land. “Now the black snake is here,” the narrator proclaims, connecting the legend to the present-day threat of oil pipelines being built on Native lands. Though its image is fearsome, younger audiences aren’t likely to be frightened due to Goade’s vibrant, uplifting focus on collective power. Awash in brilliant colors and atmospheric studies of light, the girl emphasizes the importance of protecting “those who cannot fight for themselves” and understanding that on Earth, “we are all related.” Themes of ancestry, community responsibility, and shared inheritance run throughout. Where the brave protagonist is depicted alongside her community, the illustrations feature people of all ages, skin tones, and clothing styles. Lindstrom’s powerful message includes non-Native and Native readers alike: “We are stewards of the Earth. We are water protectors.”

An inspiring call to action for all who care about our interconnected planet. (author’s note, glossary, illustrator’s note, Water Protector pledge) (Picture book. 5-12)

Pub Date: March 17, 2020

ISBN: 978-1-250-20355-7

Page Count: 40

Publisher: Roaring Brook

Review Posted Online: Dec. 8, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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JOHNNY APPLESEED

Though she never says outright that he was a real person, Kurtz introduces newly emergent readers to the historical John Chapman, walking along the Ohio, planting apple seeds, and bartering seedlings to settlers for food and clothing. Haverfield supplies the legendary portions of his tale, with views of a smiling, stylishly ragged, clean-shaven young man, pot on head, wildlife on shoulder or trailing along behind. Kurtz caps her short, rhythmic text with an invitation to “Clap your hands for Johnny Chapman. / Clap your hands for Johnny Appleseed!” An appealing way to open discussions of our country’s historical or legendary past. (Easy reader/nonfiction. 5-6)

Pub Date: Sept. 1, 2004

ISBN: 0-689-85958-9

Page Count: 32

Publisher: Aladdin

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 15, 2004

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