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HENRY DAVID’S HOUSE

These excerpts from Thoreau’s own journal piece together the events that formed the basis for Walden. Borrowing an axe from a friend, young Thoreau enters the woods and begins to cut down trees to build his house. Working alongside the sounds, sights, and smells of nature, he begins to form his philosophy for which he is famous: living life simply. As the seasons pass, Thoreau erects his house and begins to live in the woods full-time. He often sits quietly observing the birds as they flit from tree to tree with only the sounds of humanity to remind him of the passage of time. Whether it is picking ripe raspberries; sitting in a boat on the nearby pond; or entertaining other travelers in the woods, Thoreau is reminded, “We can never have enough of nature.” Richly layered watercolor and oil paintings depict the natural world in which Thoreau lived. From large landscape paintings, to that of a single flower or chestnut, readers will enjoy the work’s visual appeal as they read through the original text. Written for younger children, this might also assist older children or even adults as an introduction to one of the great philosophers in American history. An editor’s note following the text gives more information about Thoreau’s life and work. (Picture book. 6-10)

Pub Date: March 1, 2001

ISBN: 0-88106-116-6

Page Count: 32

Publisher: Charlesbridge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2002

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BERRY MAGIC

Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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REACHING FOR THE MOON

In first-person voice, Aldrin highlights points from his childhood that led to his dream of being an astronaut and making the historic moon landing. Coincidental details like his mother’s maiden name, “Moon,” and his favorite movie hero, the “Lone Ranger,” suggest clues to his destiny. After West Point, he joined the Air Force because “he wanted to fly more than anything.” Minor’s usual beautiful and realistic illustrations effectively convey spatial perspectives and movement, adding depth to the narrative. However, the cover design and type layout are confusing, indicative of a biography instead of an autobiography—a brief intro could have clarified it. Aldrin’s message in an author’s note avows, “If you set your sights high, you may accomplish more than you ever dreamed.” Pair this with Don Brown’s One Giant Step for a child’s-eye view on space exploration. (Flight/space exploration chronology) (Picture book/biography. 6-9)

Pub Date: June 1, 2005

ISBN: 0-06-055445-2

Page Count: 40

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2005

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