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HENRY DAVID’S HOUSE

Name: HENRY DAVID’S HOUSE
Author: Henry David Thoreau
ISBN: 0-88106-116-6

by Henry David Thoreau & edited by Steven Schnur & illustrated by Peter Fiore ‧ RELEASE DATE: March 1, 2001

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These excerpts from Thoreau’s own journal piece together the events that formed the basis for Walden. Borrowing an axe from a friend, young Thoreau enters the woods and begins to cut down trees to build his house. Working alongside the sounds, sights, and smells of nature, he begins to form his philosophy for which he is famous: living life simply. As the seasons pass, Thoreau erects his house and begins to live in the woods full-time. He often sits quietly observing the birds as they flit from tree to tree with only the sounds of humanity to remind him of the passage of time. Whether it is picking ripe raspberries; sitting in a boat on the nearby pond; or entertaining other travelers in the woods, Thoreau is reminded, “We can never have enough of nature.” Richly layered watercolor and oil paintings depict the natural world in which Thoreau lived. From large landscape paintings, to that of a single flower or chestnut, readers will enjoy the work’s visual appeal as they read through the original text. Written for younger children, this might also assist older children or even adults as an introduction to one of the great philosophers in American history. An editor’s note following the text gives more information about Thoreau’s life and work. (Picture book. 6-10)

Pub Date: March 1, 2001

ISBN: 0-88106-116-6

Page Count: 32

Publisher: Charlesbridge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2002

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SCIENCE & TECHNOLOGY

- BOOK REVIEW
A YEAR IN THE WOODS
by Henry David Thoreau ; illustrated by Giovanni Manna

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REACHING FOR THE MOON

by Buzz Aldrin & illustrated by Wendell Minor ‧ RELEASE DATE: June 1, 2005

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In first-person voice, Aldrin highlights points from his childhood that led to his dream of being an astronaut and making the historic moon landing. Coincidental details like his mother’s maiden name, “Moon,” and his favorite movie hero, the “Lone Ranger,” suggest clues to his destiny. After West Point, he joined the Air Force because “he wanted to fly more than anything.” Minor’s usual beautiful and realistic illustrations effectively convey spatial perspectives and movement, adding depth to the narrative. However, the cover design and type layout are confusing, indicative of a biography instead of an autobiography—a brief intro could have clarified it. Aldrin’s message in an author’s note avows, “If you set your sights high, you may accomplish more than you ever dreamed.” Pair this with Don Brown’s One Giant Step for a child’s-eye view on space exploration. (Flight/space exploration chronology) (Picture book/biography. 6-9)

Pub Date: June 1, 2005

ISBN: 0-06-055445-2

Page Count: 40

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2005

Categories:

CHILDREN'S BIOGRAPHY & MEMOIR | CHILDREN'S SCIENCE & TECHNOLOGY

- BOOK REVIEW
TO THE MOON AND BACK
by Buzz Aldrin & Marianne Dyson ; illustrated by Bruce Foster

- BOOK REVIEW
LOOK TO THE STARS
by Buzz Aldrin and illustrated by Wendell Minor

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THE SKIN YOU LIVE IN

by Michael Tyler & illustrated by David Lee Csicsko ‧ RELEASE DATE: April 1, 2005

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An earnest but energetic tribute to diversity, done up with postmodern arrays of smiling, stylized, lozenge-headed children paired to a rollicking celebration of: “Your coffee and cream skin, / your warm cocoa dream skin . . . / Your chocolate chip, double dip sundae supreme skin! / Your marshmallow treat skin, / your spun sugar sweet skin . . . / your cherry topped, candy dropped, frosting complete skin.” Tyler also urges readers to think about the commonality of “The skin that you laugh in; / the skin that you cry in; / the skin that you look to / the sky and ask, ‘Why?’ in.” Though he changes his tone and plies a verbal mallet to drive his point home in the last several verses, the earlier wordplay more than compensates—while glimpses of one child in a wheelchair, and another held by a biracial couple, expand the general theme to encompass more than skin color alone. A sonically playful, if just a bit overlong, alternative to Sheila Hamanaka’s All the Colors of the Earth (1994). (Picture book. 6-9)