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CREATING CHRISTIANITY

A WEAPON OF ANCIENT ROME

A fringe and fanciful view of the creation of the Christian faith.

A debut alternative history book explores the origins of Christianity.

Davis begins by offering the rare argument that “the Jesus described in the Gospels” did not exist. In fact, the author asserts, Christianity was a fabrication that postdated the Roman-Jewish wars of the first century. Working off the conclusions of other writers, such as Joseph Atwill, Davis weaves a detailed yet speculative explanation for how the New Testament and the Christian faith came into existence. He points to Arrius Piso, a contemporary and rival of Nero, as the originating genius behind the New Testament scheme. According to the author, Piso and his closest friends and family believed that by creating a new, peace-centered religion out of Jewish concepts, Rome could effectively counter Jewish rebellion across the empire. Beyond this, the new faith could serve as a Roman-centered religion and be used as a source of power for the Piso family and the empire itself. In this ambitious book, Davis attempts to prove his theory by using “the parallels discovered by independent scholar Joseph Atwill” between the New Testament and the works of Flavius Josephus (who the author maintains was the pen name for Piso). For instance, Davis argues that Jesus’ statement “I will make you fishers of men” is actually about a ship battle against the Jews in which many men were shot at or run down while trying not to drown. In addition, the story of the good Samaritan is about an attack on a Roman Legion by Jewish rebels, causing the soldiers to recuperate in Samaria. But these and many other such “parallels” are far from self-evident. Using the new religion to take the reins of power, Piso became St. Peter, the first pope; Pliny the Younger succeeded him as St. Linus, the second pope; and so on, the author claims. He tells readers: “Piso chose the name ‘Peter’ as his alias name of the founder of the Christian religion, because he was the ‘father’ (‘pater’) of the Christian religion.” Davis is painstaking in his research and provides ample textual evidence. Nevertheless, his highly unusual conclusions will likely find a skeptical reception from many believers and scholars.

A fringe and fanciful view of the creation of the Christian faith.

Pub Date: Oct. 7, 2018

ISBN: 978-1-78926-557-6

Page Count: 327

Publisher: Independent Publishing Network

Review Posted Online: April 26, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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