It might be fun once, but Numeroff really holds a corner on this particular market.
If you give an imp a penny, he’ll ask for a glass of milk—er, a “coin bag” to go with it.
Shamelessly borrowed from the iconic If You Give a Mouse a Cookie (the authors thank Laura Numeroff in the dedication), this anemic reflection moves the story to a vaguely medieval and magical realm. The imp in question is orange and sort of pointy all over, and his fellow protagonist is a young white girl with long skirts and a snowy white apron. When he gets his penny and buries it in the yard with a borrowed shovel, he makes such a mess that she asks him to clean up. The imp sets the broom on fire, repairs it with straw from her mattress, and makes a collar for the cat—who does not take it, or the subsequent bath, well. But our heroine gives the imp her last apple, and he conjures up some gold coins in gratitude. That makes him think of his buried penny—and probably asking for another one. There’s not a lot of logic here: why would he even ask for a penny if he can conjure up treasure? The pictures have a quality of Disney animation about them, lively and familiar-looking without much verve.
It might be fun once, but Numeroff really holds a corner on this particular market. (Picture book. 5-7)Pub Date: Feb. 1, 2016
ISBN: 978-1-4556-2144-6
Page Count: 32
Publisher: Pelican
Review Posted Online: Oct. 5, 2015
Kirkus Reviews Issue: Oct. 15, 2015
A tongue-in-cheek bildungsroman about celebrating differences and the underrated superpowers of gentleness and sweetness.
Kaijus—giant Godzilla-like creatures—are supposed to have fearsome powers like atomic breath, the ability to summon storms, and magnetism—but not young Anzu.
Instead, he was born with the power of finding “beauty in small things.” Finally old enough to be assigned his own personal city to terrorize, Anzu hopes to impress his fond parents. But instead of inflicting fiery destruction on the tiny kodamalike residents at his feet, the best he can do is rain garlands of flowers down on them. He tries to wreak havoc by uprooting a tree but instead ends up creating a peaceful playground of blossoming animal topiaries. “I’ll never strike fear,” Anzu frets. “Am I even a kaiju?” Young readers may well share his doubts since, despite towering over the city of lumpy buildings made from low mounds of dirt, he and his family look more like cute, plump stuffies than scary reptilian beasts. When Anzu does at last manage a little devastation, his feeling of triumph is short-lived—and so, to restore joy and laughter, he exerts his special flower powers with surprising, and satisfying, results. The text is engaging and heartwarming without being cloying. The bright, colorful illustrations are rendered in watercolor and ink. Full-bleed artwork is interspersed with panels, which, along with the use of narrative boxes, lend a graphic feel to the presentation.
A tongue-in-cheek bildungsroman about celebrating differences and the underrated superpowers of gentleness and sweetness. (Graphic picture book. 5-7)Pub Date: Jan. 11, 2022
ISBN: 978-1-250-77612-9
Page Count: 40
Publisher: Roaring Brook Press
Review Posted Online: Dec. 15, 2021
Kirkus Reviews Issue: Jan. 1, 2022
Gives “friend” a disquieting nuance.
On the spur of the moment, anyone can make a mistake.
In a twist on Eric Carle’s classic Do You Want to Be My Friend? (1971) and the many like-themed quests trailing in its wake, a suddenly friendless yellow monster makes the titular confession, mourns, and then goes in search of a new companion. Following a string of refusals that range from “No, you are too big,” and “No, you are too scary” (not to mention a terse “No”) to a terrifying, page filling “Rrrooar!” the monster begins to lose heart. Will it be lonely forever? But, no fears, a suitable (teal) candidate sidles up at last: “Hello! I will be your friend.” Cue the warm smiles and clasped paws…until a page turn reveals only the new arrival, guiltily admitting, “I just ate my friend.” Arranged in simple compositions and positioned for maximum comic effect, McKinnon’s monsters don’t look at all feral (although the protagonist does have a mouthful of sharp teeth, they are very tiny, commanding much less attention than its large, googly eyes and potato-shaped body), so the summary fate of the yellow one may come as a surprise (at least the first time through) to audiences who expect a more-conventional ending. Readers who prefer their comedy on the dark side à la Jon Klassen’s I Want My Hat Back (2011) or Jeanne Willis and Tony Ross’ Tadpole’s Promise (2005) will relish this alternative outcome.
Gives “friend” a disquieting nuance. (Picture book. 5-7)Pub Date: June 26, 2018
ISBN: 978-1-5344-1032-9
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: Feb. 18, 2018
Kirkus Reviews Issue: March 1, 2018
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