by Henry Louis Gates Jr. ‧ RELEASE DATE: Oct. 24, 2017
It will not be necessary for readers to tackle this book from front to back; it rewards dipping into occasionally, as Gates...
A collection of vignettes about the black experience in the United States and around the globe.
In 1957, respected Pittsburgh Courier journalist Joel A. Rogers published a book, 100 Amazing Facts About the Negro with Complete Proof, based on research he had conducted for his columns. His work provided a counter to white supremacist myths and proved to be a source of pride for the black community, which too often read and heard histories that excluded them. Gates (Life upon These Shores: Looking at African American History, 1513-2008, 2011, etc.), the prolific scholar and popularizer of black history, presents this book as an homage and update to the work of “Mr. Rogers.” Indeed, just as Rogers had compiled his brief essays for his book from his columns, Gates similarly draws from his series, which carried the same title as this volume and ran in the online magazine The Root, which Gates co-founded. The entries are brief, averaging about four pages. In his acknowledgments, the author also reveals that these essays, though ultimately bearing his name, are the product of the research team he leads at the Hutchins Center for African & African American Research at Harvard. The pieces range widely in chronology, theme, and geography, and his facts about the “Negro” (the anachronism is intentional, part of the tribute to Rogers) most heavily emphasize the African-American experience but also explore Africa and the diaspora across the Americas and in Europe. The pieces are generally well-written and engage with secondary sources and occasional primary documents on his topics. The title of each entry is a question. The first—“which journalist was among the first to bring black history to the masses?”—introduces Rogers and thus the book. The rest range widely and are fairly consistent.
It will not be necessary for readers to tackle this book from front to back; it rewards dipping into occasionally, as Gates sometimes surprises, sometimes intrigues, and rarely disappoints.Pub Date: Oct. 24, 2017
ISBN: 978-0-307-90871-1
Page Count: 496
Publisher: Pantheon
Review Posted Online: July 2, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by Julie Scelfo illustrated by Hallie Heald ‧ RELEASE DATE: Oct. 25, 2016
An eclectic assortment of women make for an entertaining read.
An exuberant celebration of more than 100 women who shaped the myths and realities of New York City.
In her debut book, journalist Scelfo, who has written for the New York Times and Newsweek, aims to counter histories of New York that focus only on “male political leaders and male activists and male cultural tastemakers.” As the author discovered and shows, the contributions of women have been deeply significant, and she has chosen a copious roster of personalities, gathered under three dozen rubrics, such as “The Caretakers” (pioneering physicians Dr. Elizabeth Blackwell and Dr. Sara Josephine Baker, who enacted revolutionary hygienic measures in early-20th-century tenements); “The Loudmouths” (Joan Rivers and Better Midler); and “Wall Street” (brokerage firm founder Victoria Woodhull and miserly investor Hetty Green). With a plethora of women to choose from, Scelfo aimed for representation from musical theater, law enforcement, education, social justice movements, and various professions and organizations. Some of the women are familiar (Jacqueline Kennedy Onassis for her preservation work; Brooke Astor for her philanthropy), some iconic (Emma Lazarus, in a category of her own as “The Beacon”), and some little-known (artist Hildreth Meière, whose art deco designs can be seen on the south facade of Radio City Music Hall). One odd category is “The Crooks,” which includes several forgettable women who contributed to the city’s “cons and crimes.” The author’s brief, breezy bios reveal quirky facts about each woman, a form better suited to “The In-Crowd” (restaurateur Elaine Kaufman, hardly a crowd), entertainers (Betty Comden, Ethel Waters), and “The Wisecrackers” (Nora Ephron, Tina Fey) than to Susan Sontag, Edith Wharton, and Joan Didion. Nevertheless, the book is lively and fun, with something, no doubt, to pique anyone’s interest. Heald’s blithe illustrations add to the lighthearted mood.
An eclectic assortment of women make for an entertaining read.Pub Date: Oct. 25, 2016
ISBN: 978-1-58005-653-3
Page Count: 304
Publisher: Seal Press
Review Posted Online: Aug. 20, 2016
Kirkus Reviews Issue: Sept. 1, 2016
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by David McCullough ‧ RELEASE DATE: May 7, 2019
Vintage McCullough and a book that students of American history will find captivating.
A lively history of the Ohio River region in the years between the Revolution and the Civil War.
McCullough (The American Spirit: Who We Are and What We Stand For, 2015, etc.) isn’t writing about the sodbusters and hardscrabblers of the Far West, the people whom the word “pioneers” evokes, but instead their predecessors of generations past who crossed the Appalachians and settled in the fertile country along and north of the Ohio River. Manasseh Cutler, one of his principal figures, “endowed with boundless intellectual curiosity,” anticipated the movement of his compatriots across the mountains well before the war had ended, advocating for the Northwest Ordinance to secure a region that, in McCullough’s words, “was designed to guarantee what would one day be known as the American way of life”—a place in which slavery was forbidden and public education and religious freedom would be emphasized. “Ohio fever” spread throughout a New England crippled, after the war, by economic depression, but Southerners also moved west, fomenting the conditions that would, at the end of McCullough’s vivid narrative, end in regional war three generations later. Characteristically, the author suggests major historical themes without ever arguing them as such. For example, he acknowledges the iniquities of the slave economy simply by contrasting the conditions along the Ohio between the backwaters of Kentucky and the sprightly city of Cincinnati, speaking through such figures as Charles Dickens. Indeed, his narrative abounds with well-recognized figures in American history—John Quincy Adams, Harriet Beecher Stowe, Johnny Appleseed—while highlighting lesser-known players. His account of Aaron Burr—who conspired to overthrow the government of Mexico (and, later, his own country) after killing Alexander Hamilton, recruiting confederates in the Ohio River country—is alone worth the price of admission. There are many other fine moments, as well, including a brief account of the generosity that one farmer in Marietta, Ohio, showed to his starving neighbors and another charting the fortunes of the early Whigs in opposing the “anti-intellectual attitude of the Andrew Jackson administration.”
Vintage McCullough and a book that students of American history will find captivating.Pub Date: May 7, 2019
ISBN: 978-1-5011-6868-0
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: Aug. 26, 2019
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