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AND FINALLY

MATTERS OF LIFE AND DEATH

Another masterful memoir from Marsh.

The latest compelling memoir from the British neurosurgeon.

In 2014, Marsh published the excellent Do No Harm; in 2017, he followed it up with an equally fine sequel, Admissions. Now past 72 and retired, he writes about becoming a patient. Doctor writers produce a steady stream of such books, but this is among the best. Despite being retired, Marsh “continued to think that illness happened to patients and not to doctors.” He assumed that the urinary difficulties he had been experiencing for years were the result of benign prostatic enlargement, which affects most men as they age. In fact, he had prostate cancer, which had probably spread. The author does not hide his terror at this news. He reviews his life, finding much to applaud but plenty of regrets, and he capably describes his experiences as a patient. Like anyone, he hoped for good news, perhaps even that he may be cured, but it never came. More unnervingly, listening to his doctors revealed that he (like they) held too high an opinion of himself. Patients who love their doctors tell them so, while disappointed patients mostly keep quiet. Doctors who write memoirs admit flaws, but lack of compassion is rarely among them. To his distress, observing how the doctors dealt with him, Marsh realized that he could have done better in the compassion department. This is not a denunciation of the medical profession; almost everyone he encountered treated him kindly. Accepting that he would die but fearful that he might suffer, he reserves his hatred for opponents of assisted suicide: “It is as though they think that assisted dying is cheating” or “that there is something ‘natural’ about dying slowly and painfully.” The author offers a fascinating account of his often disagreeable treatment but remains entranced by the wonders of the natural world, science, and love for his family. The conclusion finds him still alive and, readers will hope, writing another book.

Another masterful memoir from Marsh.

Pub Date: Jan. 17, 2023

ISBN: 978-1-250-28608-6

Page Count: 224

Publisher: St. Martin's

Review Posted Online: Oct. 10, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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