The powerful conclusion to an amazing series of autobiographical novels (From Bondage, 1996, etc.), written in old age and completed shortly before the author's death in 1995. As in the three previous installments, the story of the young manhood of Ira Stigman, Roth's identifiable alter ego, is told from two perspectives: as events occur, in and near East Harlem's Jewish neighborhood in the 1920s, and in retrospect (as italicized interludes), by the elderly Ira looking backward and holding "conversations" with his computer (mockingly nicknamed "Ecclesias"). The earlier year is 1927, and Ira, a 21-year-old student at CCNY, remains absorbed in a respectful and loving relationship with his literature teacher and mentor Edith Welles (obviously modeled on leftish intellectual Eda Lou Walton) and also racked with guilt over a past incestuous liaison with his sister Minnie and a continuing exploitation of his "easy" younger cousin Stella. Little happens in Requiem for Harlem. Edith reveals that she's pregnant by her married lover, and Ira dutifully tends to her during the trauma following her abortion. Stella confides that she's "four days overdue," but when a relieved Ira learns she's not pregnant after all, he takes shameful advantage of her again, in the balcony of a movie theater (in a remarkably tense and erotic scene). And Ira finds himself caught up in the abusive and painfully comic quarrels of his parents, Leah and Chaim, a pair of Olympian kvetchers whose furious incompatibility contrasts strikingly with Ira's yearning to lose himself in the elevated and consolatory pages of his beloved Milton. This brilliantly talky story concludes with Ira's escape from home, possessed by what he persuades himself is "a vibrant new vision . . . of liberation, of independence." An editorial endnote promises two more novels, different in style and spirit, that will carry Ira's story forward and will be published "eventually." Whatever more we're fated to learn of Ira Stigman and Henry Roth, in finished form or not, will be well worth waiting for.
Pub Date: March 1, 1998
ISBN: 0-312-16980-9
Page Count: 304
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1998
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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