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MORTAL REMAINS

A TRUE STORY OF RITUAL MURDER

A cool-tempered combination of police science and forensic anthropology that tells of satanic murders in Fall River, Mass.- -where Lizzie Borden chopped up her parents. Scammell, a free-lancer who writes about aerospace, medicine, and archaeology, was assisted by Douglas Ubelaker, a ``bone man'' from the Smithsonian, in writing this true-crime exposÇ that reads more like an adventure in evidence-gathering. Revolving around Carl Drew—a Satanist and pimp with Manson-like powers who ordered his followers to kill two young prostitutes and 20-year-old Karen Marsden, whose skull fragment is the main piece of evidence in the forensic jigsaw puzzle—the ``lurid metaphysics'' of devil worship and ritual sacrifice take back seat here to detailed accounts of how police and prosecutors made sense out of a murder case with no body. Instead, they had to rely on bones, hair clumps, torn clothing, and the contradictory testimonies of the accused and his accomplices. Unfortunately, Scammell often resorts to the Dragnet- style Q&As to integrate the mounds of interrogation transcripts. He is most interesting when he wanders from the narrative path and treats us to brief histories of skeletology, religious cults, and even Lizzie Borden's life. For the most part, though, Scammell's misplaced emphasis on technicalities makes us forget the real hideousness of the case. Though neatly written and edited, Scammell's story of sex, slaughter, and Satanism is too dry to live up to its subject.

Pub Date: June 1, 1991

ISBN: 0-06-016327-5

Page Count: 256

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1991

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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