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PROCLAMATION 1625

AMERICA'S ENSLAVEMENT OF THE IRISH

An intriguing, if unconvincing, examination of Irish servitude in America.

A debut book chronicles the enslavement and brutal treatment of the Irish by the British for nearly 200 years.

The story of African-American slavery is a familiar one, comprehensively covered by scholars. Comparatively neglected is the plight of the Irish, who were the chief source of slave labor for the British American colonies for more than 179 years. In this slim volume, Byrd traces the woeful treatment of the Irish at the hands of their British tormentors, beginning with an exploration of the origins of vitriolic sentiment in the 12th century, which lampooned the Irish as poor, vulgar, and lazy. The demand for labor in the British colonies, as well as the desire among many in England to reduce the Irish population in Europe, inspired the practice of forcibly sending Irish prisoners to places like Virginia to work. Eventually, Irish children were rounded up and transported as well. According to the author, in 1625, King James I delivered a proclamation that authorized selling Irish prisoners into slavery, and they were bought and traded like cattle and subjected to unspeakably inhumane treatment. The laws considered any child born to a slave also a slave, and owners purposely bred Irish and black slaves to increase their holdings. Eventually, both Irish and black slaves rebelled, and according to Byrd, their oppressors invented the notion of whiteness as a means to sow dissent among them. The author also discusses the evolution of white racism out of this strategy, the process by which the Irish became understood to be white, and the genealogical legacy left by planned miscegenation. Byrd’s study is clearly written and admirably concise. In addition, he evinces an impressive freedom from conventional historical accounts, boldly willing to soberly entertain counternarratives. But the brevity of the book necessitates that some of the arguments proffered are hypercondensed, and this can diminish their persuasiveness. Most scholars would argue that Byrd largely conflates the albeit brutal indentured servitude of the Irish with the chattel slavery experienced by Africans. The author’s study, while provocative, is simply not rigorous or expansive enough to inspire a rejection of the academic consensus view.

An intriguing, if unconvincing, examination of Irish servitude in America.

Pub Date: April 12, 2016

ISBN: 978-1-4602-8563-3

Page Count: 228

Publisher: FriesenPress

Review Posted Online: Aug. 23, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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