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HIROHITO AND THE MAKING OF MODERN JAPAN

A deeply satisfying immersion into modern Japanese history that also serves to warn against facile approaches to the...

A lengthy exploration of the role of Emperor Hirohito in 20th-century Japanese politics that draws on an impressive array of fresh sources.

Bix (Social Sciences/Hitosubashi Univ.) has written what is essentially a 700-page indictment of the Japanese emperor, arguing that he should bear more blame, responsibility, and consequences than he has for Japan’s aggression in the first half of this century. Far from being a detached figurehead and tool for Japan’s militarist factions, Hirohito was closely involved behind closed doors in all facets of Japanese politics, especially its military forays. “From the very start of the Asia-Pacific war, the emperor was a major protagonist of the events going on around him,” Bix writes. In this portrayal, Hirohito played no small part in the rise of nationalism, Japan’s aggressiveness in Manchuria, the disastrous prolongation of the war against the Allies (leading to the Hiroshima and Nagasaki bombings), and Japan’s ongoing struggle to display adequate repentance to the rest of the world. The author has intentionally made his subject complex to debunk “the myth of Japan as tightly unified and monolithic state.” Though the writing is glib, the result is a trying puzzle of multitudinous pieces that requires some fortitude on behalf of the reader. Bix’s research is thorough, but, as he points out, Hirohito left little documentation behind and his peers have been loath to write badly of him. The author, therefore, had to rely a great deal on reading between the lines. For example, Bix immediately comes to surmise that Hirohito’s abilities had been doubted when his teachers went out of their way to priase the emperor’s speaking abilities. He nestles his speculations firmly between facts, however, and in the end is very convincing.

A deeply satisfying immersion into modern Japanese history that also serves to warn against facile approaches to the machinery of states.

Pub Date: Sept. 1, 2000

ISBN: 0-06-019314-X

Page Count: 784

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2000

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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