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Belvidere Estate Fédon's House

VOICES FROM THE PAST

Childhood memories alternate with scenes of revolution and defeat in this complex work from a promising new voice.

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A bloody 18th-century rebellion lives long in the memory of a Caribbean estate in Hall’s debut memoir.

The author was born in 1945 and grew up on a spice estate in Grenada called Belvidere, where planting and harvesting had gone on since the 18th century. The stilt-supported barracks of the laborers almost perfectly resembled the cabins of their enslaved ancestors, and their children were barred from exploring the parasite-ridden outdoors or the kitchen buildings where food was prepared on stone slabs and “dried wood and oil-rich nutmeg branches, placed between the stones, served as cooking fuel.” At Belvidere, from a perch on his family’s front doorsill, Hall heard stories of the estate’s notorious former occupant, Julien Fédon, and the bloody rebellion he incited in the spring of 1795 that “seized and plundered British estates,” assumed control of the island (except for the seat of government), and eventually cost the lives of thousands of Grenadians. Inspired by the revolutions in Haiti, the United States, and France, Fédon, a seasoned French officer, masterfully played various sides of the struggle—French, British, Grenadian, and Hessian—against one another and nearly succeeded in changing the history of the Western Hemisphere. In this volume, Fédon’s story alternates with chapters in which Hall tells of his own childhood on the plantation in a sweet, nostalgic tone. He describes it, convincingly, as a melting pot, encompassing “poor whites” and people whose skin color he describes as “black as tar” as well as plenty of East Indians. Among the latter was the author’s adopted mother, an illiterate farm laborer who nearly burst with happiness when her son was admitted to exclusive schools. “Wherever people came from,” one wise old resident told him, “we were one people when we worked at Belvidere.” Hall brings the world of his youth to life with anecdotes that live up to the high billing of their chapter titles. Readers learn about the fascinating mix of religions at Belvidere as well as about the custom of swinging children over gravestones to protect them from curses; sightings of ghosts in the dismal woods; and the legend of the “loupgarou,” island vampires who were allegedly capable of manifesting themselves as giant balls of fire. As a result, Hall’s book will absorb readers for hours.

Childhood memories alternate with scenes of revolution and defeat in this complex work from a promising new voice.

Pub Date: Feb. 9, 2016

ISBN: 978-0-9970190-0-1

Page Count: 264

Publisher: CreateSpace

Review Posted Online: Dec. 1, 2016

Kirkus Reviews Issue: Jan. 15, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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