Next book

THE REHNQUIST COURT

JUDICIAL ACTIVISM ON THE RIGHT

Expect worse, the authors warn, should Bush get a shot at appointing another justice. Those inclined to think that the...

Broaden the powers of the police, attack women’s right to choose, erode a few personal freedoms, and crown a right-wing president against the will of the people, and voilà: “Ronald Reagan’s efforts to reshape the American judiciary have succeeded.”

So writes editor Schwartz in this full-bore, peppery assault on the current Supreme Court by a team of 15 discontented lawyers, scholars, and journalists. That the Court put George W. Bush into the White House is, in these contributors’ estimation, but one of its manifold sins, though that’s a big one—for, as Schwartz warns, “A well-established conventional wisdom is that the Supreme Court follows the election returns. Which is to say, it does not too often or too egregiously defy the demonstrated will of the people—not for fear of being voted off the bench but for the less immediate, less tangible, less definable fear of a damaging loss of institutional power or influence, owing to a Congress or a population, or both, too often confounded.” And, adds legal scholar John P. Mackenzie, the Court in so doing committed a scandal that has been too little remarked on: In its opinion, the justices remarked, “Our consideration is limited to the present circumstances, for the problem of equal protection in election processes generally presents many complexities”—in other words, the Court set no precedent, an “unthinkable” failure “unknown in Supreme Court annals.” Other of the contributors address the Court’s perceived failings, born of the very judicial activism that so many conservatives denounce, in matters such as abortion rights (“The surprise here is not that we are still fighting the same war,” writes Susan Estrich, “but that after so much time with the Rehnquist Court, with six of its members appointed by Republicans, we haven’t lost it yet”), the rights of suspects and the condemned, the rights of free-speech advocates and political dissidents, and just about everything else under its purview.

Expect worse, the authors warn, should Bush get a shot at appointing another justice. Those inclined to think that the present judiciary is awful enough will find plenty of ammunition in these pages.

Pub Date: Nov. 1, 2002

ISBN: 0-8090-8073-7

Page Count: 288

Publisher: Hill and Wang/Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2002

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview