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HERMAN MELVILLE

A BIOGRAPHY, VOL. I, 1819-1851

This leviathan of a biography—the first half of a two-volume set—meticulously charts the early life and career of an erratic literary genius. Melville was born in 1819, a scion of new American gentry. Both of his grandfathers were revered Revolutionary War heroes, and both were wealthy. But in 1830 Melville's father went bankrupt and- -in an episode that provides Parker (English/Univ. of Delaware) with a dramatic opening vignette—fled New York City in disgrace, soon to die a broken man. The remaining Melvilles spent the next 20 years pursuing financial and social redemption. Through a painstaking collation of letters, diaries, newspaper accounts, and other evidence, Parker sets their struggle amid a vivid panorama of the young commercial republic, with its unprecedented opportunities and huge risks. Parker concentrates on Melville's adventures as a sailor and his subsequent transformation of his experiences into prose: first, the popular South Sea adventure tales Typee and Omoo, then the novels through Moby-Dick, published in 1851. But Parker also devotes significant space to Melville's family. A particular focus is older brother Gansevoort, whose peregrinations as a Democratic party rhetorician culminated in a government position in London, whence he helped launch Herman's career. Parker closes this volume with an examination of Melville's famous friendship with Hawthorne, to whom Moby-Dick was dedicated. Parker's lifetime of Melville scholarship has eventuated in his complete mastery of detail here, a mastery that shows to great effect. His portrait of Melville lets intricacies shine like a newly cleaned painting. But while Parker outlines the passions that characterized both Melville and his times, his generally reserved tone can take the edge off of them. Indispensable for all serious Melvillians, whether professional or amateur, but given its measured approach and its heft, not a likely avenue for the uninitiated.

Pub Date: Dec. 1, 1996

ISBN: 0-8018-5428-8

Page Count: 928

Publisher: Johns Hopkins Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1996

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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