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THE HUNGER ANGEL

Müller’s work is not without flaws. Leo’s sexual orientation is not well integrated into the narrative; his post-camp...

This novel of the Gulag was first published in Germany in 2009, the same year that its German-Romanian author won the Nobel Prize. 

Müller was born in 1953 and raised in a German-speaking enclave of Romania. In 1945 the Red Army had deported thousands from these enclaves to forced labor camps on the Russian steppe. Years later, the recollections of one of the former deportees inspired her to write this novel. Her narrator, 17-year-old Leo Auberg, has just started having sex with men in the park, fearfully, risking jail; when the soldiers come calling, he’s glad to escape his watchful small town. That gladness disappears on the cattle cars. Dignity goes too, as the deportees are ordered off the train to do their business in a snowy field. What follows are dozens of short sections as Leo riffs on conditions in the camp. He will do different kinds of work: unloading coal, servicing the boilers, loading pitch in a trench. That last assignment is life-threatening, but before he succumbs to a fever Leo notes that “the air shimmered, like an organza cape made of glass dust.” The poetic sensibility sets the novel apart. There is a much-hated adjutant, a German like themselves, but it is hunger, death’s henchman, that is their greatest adversary. Leo fights it in practical ways: begging door to door, saving or trading his bread (echoes of Solzhenitsyn). But he also uses a kind of reverse psychology when he calls this devil hunger an angel. The inversion is crucial to Leo’s morale and survival. Keep the enemy off balance. Flatter him; be gallant. This may sound whimsical, but there is steel in the writing.

Müller’s work is not without flaws. Leo’s sexual orientation is not well integrated into the narrative; his post-camp experiences are too compressed. The novel is still a notable addition to labor camp literature.

Pub Date: April 24, 2012

ISBN: 978-0-8050-9301-8

Page Count: 304

Publisher: Metropolitan/Henry Holt

Review Posted Online: April 4, 2012

Kirkus Reviews Issue: April 15, 2012

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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THINGS FALL APART

This book sings with the terrible silence of dead civilizations in which once there was valor.

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Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.

Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.

This book sings with the terrible silence of dead civilizations in which once there was valor.

Pub Date: Jan. 23, 1958

ISBN: 0385474547

Page Count: 207

Publisher: McDowell, Obolensky

Review Posted Online: April 23, 2013

Kirkus Reviews Issue: Jan. 1, 1958

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