Next book

BERLIN SHUFFLE

The novel is a welcome addition to Boschwitz’s oeuvre, but doesn’t quite stand on its own.

An ensemble portrait of Berlin through the eyes of its marginalized members, first published in 1937 and now translated into English for the first time.

There’s much to admire in this recently rediscovered portrait of prewar Berlin by the author of the critically acclaimed novel The Passenger. Boschwitz (1915-1942) begins with an ensemble cast of characters drawn from what would have been considered the very dregs of his society: not only the unemployed, but those who rely on sex work or small cons, door-to-door begging, or whatever form of government assistance might still be available to them. The book’s greatest strength is showing, in day-to-day terms, the very real effect of Germany’s economic collapse on regular, working-class people after the First World War—and how the untenable situation they faced created an atmosphere in which a fascist government could arise. In that sense, many of the novel’s concerns overlap with those of the present day. But Boschwitz, who was apparently in his early 20s when he wrote the book, can at times assume a somewhat didactic tone, especially in the book’s second half, that becomes more anthropological than literary. Of the patrons of the Jolly Huntsman, for example—the pub where all the novel’s characters wind up converging—Boschwitz writes, “Their uncertain existence…made it impossible for them to develop a firm worldview or solid spiritual foundation…they did not present a cohesive, organized, coordinated whole, but rather an enormous sum of individuals who were mentally as well as economically adrift.” Taken altogether, this feels like the early but immature work of a promising writer. It’s a wonderful opportunity to see Boschwitz starting to work out themes he’ll address with greater finesse later in his career, but as a complete work in and of itself, it isn’t perfect.

The novel is a welcome addition to Boschwitz’s oeuvre, but doesn’t quite stand on its own.

Pub Date: Dec. 9, 2025

ISBN: 9781250869494

Page Count: 256

Publisher: Metropolitan/Henry Holt

Review Posted Online: Sept. 27, 2025

Kirkus Reviews Issue: Nov. 1, 2025

Awards & Accolades

Likes

  • Readers Vote
  • 95


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Awards & Accolades

Likes

  • Readers Vote
  • 95


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

Awards & Accolades

Likes

  • Readers Vote
  • 448


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CORRESPONDENT

An affecting portrait of a prickly woman.

Awards & Accolades

Likes

  • Readers Vote
  • 448


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

Close Quickview