by Hilary Spurling ‧ RELEASE DATE: Nov. 7, 2018
Affectionate and intimate, this hefty biography should help Powell find new readers.
An authorized biography of the prolific and underappreciated English writer.
Award-winning biographer and journalist Spurling (Pearl Buck in China: Journey to The Good Earth, 2010, etc.) writes early on that urbane Anthony Powell (1905-2000), whom she met when she was in her 20s, “made me his biographer long ago.” Her friendship with “Tony” provided her with access to his diaries, letters, and numerous interviews. As the son of a British officer, Powell’s early, itinerant years resulted in an “energetic imagination to people a sadly under-populated world from a child’s point of view.” Throughout his life, writes Spurling, “human behavior entranced him.” He found a “community that accepted him” at Eton, but his years at Oxford were depressing: “How little I liked being” there, he said. Powell’s friendship with fellow student Henry Yorke (the novelist Henry Green) led to their reading together Proust’s Remembrance of Things Past and their realization that the “novel as they knew it could never be the same again.” After graduating, Powell secured an apprentice publisher’s job at Duckworths. “Nothing taught him more about the technical side of writing” than hours spent reading unsolicited manuscripts. He met authors and artists and attended parties, all the time observing. Spurling’s account of this English publishing world is delightful. Powell decided that his first novel, Afternoon Men (1931), would be an “urban pastoral,” which Spurling describes as a “dry run” for his later masterwork, A Dance to the Music of Time, a panoramic series of 12 volumes written over 25 years. As a novelist, writes the author, “his imagination remained to the end essentially pictorial.” Readers will enjoy Spurling’s descriptions of Powell’s literary friendships with, among others, Evelyn Waugh, the Sitwells, George Orwell, Malcolm Muggeridge, and V.S. Naipaul; less so, her numerous, detailed descriptions of dinner parties.
Affectionate and intimate, this hefty biography should help Powell find new readers.Pub Date: Nov. 7, 2018
ISBN: 978-0-525-52134-1
Page Count: 480
Publisher: Knopf
Review Posted Online: Sept. 1, 2018
Kirkus Reviews Issue: Sept. 15, 2018
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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