Set in a small Iowa town, this fantasy by a newcomer addresses the power of memory. Lottie and Lewis, both 11, are best friends, each with an eccentric trait that sets them apart from their contemporaries. Lewis does not speak except to Lottie, not even to his mother or teacher, and he sleeps with his eyes open. Lottie only wears pajamas to school. Remembering is her avocation, one that started by collecting stories of her mother, who died when Lottie was born. As she grows, so do her stories, so her father makes her a storybox from the doomed cherry tree that her mother had planted. The storybox is the magical link through which Lottie and Lewis transport to LightLand. There they must confront the evil NightKing, who experiments with the energies of memory by stealing them from people (and animals) with the Veil of Oblivion. The NightKing believes that by controlling memory, he controls destiny. This is an interesting concept, given Lottie’s passion, but it’s made weaker by the use of fairly shopworn fantasy devices; the storybox could as easily be a cupboard to Narnia, for instance. The story’s strength is in the action and the underlying message of the importance of memories and their influence on life. The design fits nicely with the day/night theme as each chapter opens with a two-page spread of white text on black pages. Clever details and amusing quirks add character to a familiar struggle of good versus bad, in this case, played out in light and dark. (Fiction. 8-12)
Pub Date: Nov. 1, 2002
ISBN: 0-439-39565-8
Page Count: 240
Publisher: Orchard/Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2002
With young readers diagnosed with anxiety in ever increasing numbers, this book offers a necessary mirror to many.
Young Raina is 9 when she throws up for the first time that she remembers, due to a stomach bug. Even a year later, when she is in fifth grade, she fears getting sick.
Raina begins having regular stomachaches that keep her home from school. She worries about sharing food with her friends and eating certain kinds of foods, afraid of getting sick or food poisoning. Raina’s mother enrolls her in therapy. At first Raina isn’t sure about seeing a therapist, but over time she develops healthy coping mechanisms to deal with her stress and anxiety. Her therapist helps her learn to ground herself and relax, and in turn she teaches her classmates for a school project. Amping up the green, wavy lines to evoke Raina’s nausea, Telgemeier brilliantly produces extremely accurate visual representations of stress and anxiety. Thought bubbles surround Raina in some panels, crowding her with anxious “what if”s, while in others her negative self-talk appears to be literally crushing her. Even as she copes with anxiety disorder and what is eventually diagnosed as mild irritable bowel syndrome, she experiences the typical stresses of school life, going from cheer to panic in the blink of an eye. Raina is white, and her classmates are diverse; one best friend is Korean American.
With young readers diagnosed with anxiety in ever increasing numbers, this book offers a necessary mirror to many. (Graphic memoir. 8-12)Pub Date: Sept. 17, 2019
ISBN: 978-0-545-85251-7
Page Count: 224
Publisher: Graphix/Scholastic
Review Posted Online: May 11, 2019
Kirkus Reviews Issue: June 1, 2019
Budding billionaire Greg Kenton has a knack for making money and a serious rival. When he issues his first Chunky Comic Book at the beginning of sixth grade, his neighbor and classmate Maura Shaw produces an alternative. Their quarrel draws the attention of the principal, who bans comics from the school. But when they notice all the other commercial messages in their school, they take their cause to the local school committee. Without belaboring his point, Clements takes on product placement in schools and the need for wealth. “Most people can only use one bathroom at a time,” says Greg’s math teacher, Mr. Z. Greg gets the message; middle-grade readers may ignore it in favor of the delightful spectacle of Greg’s ultimate economic success, a pleasing result for the effort this up-and-coming young businessman puts into his work. Clements weaves intriguing information about comic book illustration into this entertaining, smoothly written story. Selznick’s accompanying black-and-white drawings have the appearance of sketches Greg might have made himself. This hits the jackpot. (Fiction. 9-12)
Pub Date: July 1, 2005
ISBN: 0-689-86683-6
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2005
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