A definite crowd-pleaser for fairy-tale enthusiasts and fantasy lovers.
The Little Match Girl finds her way to modern-day Canada in this haunting adaptation of Hans Christian Andersen’s bleakest fairy tale.
After moving from big-city Montreal to rural Ontario, all Jack wants to do is settle into 12th grade, make some friends, and date a cute girl. Instead he begins seeing visions of a starved matches-selling waif in 19th-century Copenhagen amid a lugubrious fog that makes everything else disappear. As Jack and his new girlfriend, Lucy, race to discover the Match Girl’s hold over them, it becomes clear that the Match Girl doesn’t simply want a visitor. She intends to keep Jack in her world…permanently. In her latest novel, Bennett splits the narration among Jack, the Match Girl (now named Klara), and Lucy, a talented artist whose physical resemblance to Klara is uncanny. The result is an absorbing narrative that tempers its dark subject matter with humor and boasts three white protagonists with distinct personalities, ambitions, and fears. Klara’s interior monologue is particularly intriguing, as it gives nuance and agency to a character known for suffering in silence. Discovering the connection among the protagonists is half the fun of this teen mystery, which also uses Klara’s obsession to remind readers of the damage selfishness and loneliness can cause.
A definite crowd-pleaser for fairy-tale enthusiasts and fantasy lovers. (Fantasy. 14-18)Pub Date: Jan. 17, 2017
ISBN: 978-1-4598-1252-9
Page Count: 208
Publisher: Orca
Review Posted Online: Nov. 1, 2016
Kirkus Reviews Issue: Nov. 15, 2016
BOOK REVIEW
BOOK REVIEW
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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