by Holly Black & Tony DiTerlizzi & illustrated by Tony DiTerlizzi ‧ RELEASE DATE: May 1, 2003
Unexplained things are happening in the eerie Victorian heap that is new home to the Grace family. Rustlings in the decrepit walls lead the three children, to discover and destroy the nest of a Brownie and to locate, in Arthur Spiderwick’s secret library, his Field Guide to the Fantastical World, which details the habits of faeries. The infuriated Brownie exacts retribution in hateful ways: knotting Mallory’s long hair to her headboard and freezing animal-loving Simon’s tadpoles into ice cubes. The children mollify the Brownie by building him another home, but against his warnings that harm will result, keep the Field Guide. Book 2 (The Seeing Stone, 0-689-95937-6) steps up the peril: the unheeded warnings lead to Simon’s kidnapping by a roving gang of goblins. His siblings gain The Sight by means of a small stone lens (and efficacious goblin spit rubbed into the eyes) and succeed in rescuing him. Cleverly marketed as too dangerous to read, handsomely designed, and extravagantly illustrated this packs quite a punch. Readers who are too young to read Harry Potter independently will find these have just the right amount of menace laced with appealing humor and are blessed with crisp pacing and, of course, DiTerlizzi’s enticingly Gothic illustrations. (Fiction. 7-11)
None NonePub Date: May 1, 2003
ISBN: 0-689-85936-8
Page Count: 128
Publisher: Simon & Schuster
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: April 15, 2003
Categories: CHILDREN'S SCIENCE FICTION & FANTASY
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SEEN & HEARD
by Katherine Applegate ‧ RELEASE DATE: Sept. 22, 2015
Applegate tackles homelessness in her first novel since 2013 Newbery winner The One and Only Ivan.
Hunger is a constant for soon-to-be fifth-grader Jackson and his family, and the accompanying dizziness may be why his imaginary friend is back. A giant cat named Crenshaw first appeared after Jackson finished first grade, when his parents moved the family into their minivan for several months. Now they’re facing eviction again, and Jackson’s afraid that he won’t be going to school next year with his friend Marisol. When Crenshaw shows up on a surfboard, Jackson, an aspiring scientist who likes facts, wonders whether Crenshaw is real or a figment of his imagination. Jackson’s first-person narrative moves from the present day, when he wishes that his parents understood that he’s old enough to hear the truth about the family’s finances, to the first time they were homeless and back to the present. The structure allows readers access to the slow buildup of Jackson’s panic and his need for a friend and stability in his life. Crenshaw tells Jackson that “Imaginary friends don’t come of their own volition. We are invited. We stay as long as we’re needed.” The cat’s voice, with its adult tone, is the conduit for the novel’s lessons: “You need to tell the truth, my friend….To the person who matters most of all.”
Though the lessons weigh more heavily than in The One and Only Ivan, a potential disappointment to its fans, the story is nevertheless a somberly affecting one . (Fiction. 7-11)Pub Date: Sept. 22, 2015
ISBN: 978-1-250-04323-8
Page Count: 256
Publisher: Feiwel & Friends
Review Posted Online: June 29, 2015
Kirkus Reviews Issue: July 15, 2015
Categories: CHILDREN'S SCIENCE FICTION & FANTASY | CHILDREN'S SOCIAL THEMES
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by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: March 13, 2018
Roz, a robot who learned to adapt to life among wild creatures in her first outing, seeks to return to the island she calls home.
Brown’s sequel to The Wild Robot (2016) continues an intriguing premise: What would happen to a robot after challenges in an unexpected environment cause it to evolve in unusual ways? As this book opens, Roz is delivered to a farm where she helps a widower with two young children run a dairy operation that has been in his family for generations. Roz reveals her backstory to the cows, who are supportive of the robot’s determination to return to the island and to her adopted son, the goose Brightbill. The cows, the children, and finally Brightbill himself come to Roz’s aid. The focus on Roz’s escape from human control results in a somewhat solemn and episodic narrative, with an extended journey and chase after Roz leaves the farm. Dr. Molovo, a literal deus ex machina, appears near the end of the story to provide a means of rescue. She is Roz’s designer/creator, and, intrigued by the robot’s adaptation and evolution but cognizant of the threat that those achievements might represent to humans, she assists Roz and Brightbill in their quest. The satisfactory (if inevitable-feeling) conclusion may prompt discussion about individual agency and determination, whether for robots or people.
If not as effervescent as Roz’s first outing, it is still a provocatively contemplative one. (Fiction. 8-11)Pub Date: March 13, 2018
ISBN: 978-0-316-38204-5
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 3, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Categories: CHILDREN'S ANIMALS | CHILDREN'S SCIENCE FICTION & FANTASY
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