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THE NEXT TIME YOU SEE ME

There’s not much suspense about the possible crime, but Jones builds intense tension surrounding the choices her flawed but...

The residents of a small Kentucky town react to the disappearance of a local woman in this first novel by short story writer Jones (Girl Trouble, 2009).

Emily Houchens, a lonely, deeply unhappy 13-year-old, finds a woman’s dead body while walking in the woods near the working-class subdivision where her family lives. She decides not to tell anyone. Instead, she continues to visit the body, fantasizing that she is sharing her adventure with Christopher Shelton, a popular boy who was kind to her in the past but has turned cruel because her obvious crush makes him uncomfortable. At the same time, Susanna Mitchell, Emily’s competent but insecure English teacher who has been defensively intimidated by Christopher’s highly educated mother, becomes increasingly concerned that she hasn’t heard from her hard-drinking, slightly disreputable older sister Ronnie for longer than usual. Her husband, Dale, a high school band coach who never approved of Ronnie, pooh-poohs her concern, but when Susanna stops by Ronnie’s apartment, she finds worrisome evidence that Ronnie’s sudden departure was not planned. The police detective assigned to Ronnie’s case is Tony Joyce, an old classmate of Susanna’s; she had a crush on him in high school (not unlike Emily’s on Christopher) but was afraid to date him since he was black. As distraught as she is about Ronnie’s disappearance, Susanna is also excited to work on the case with Tony, whose reappearance in her life underlines her dissatisfaction with her marriage to Dale. Yet Dale, who genuinely loves Susanna and their 4-year-old daughter, proves more self-aware than Susanna. Meanwhile, Emily’s father takes in his co-worker Wyatt’s dog after Wyatt suffers a heart attack, the culmination of the humiliation he experienced in a bar the night Ronnie went missing. And then there is Ronnie’s own humiliation that night. 

There’s not much suspense about the possible crime, but Jones builds intense tension surrounding the choices her flawed but compellingly sympathetic characters make as they fight against lonely isolation within the tight confines of small-town America.

Pub Date: Feb. 12, 2013

ISBN: 978-1-4516-8336-3

Page Count: 384

Publisher: N/A

Review Posted Online: Dec. 2, 2012

Kirkus Reviews Issue: Dec. 15, 2012

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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