The activities of a homebody and an enthusiastic world traveler are contrasted in illustrations brimming with humor. Two anthropomorphic pigs live in the country setting of Woodcock Pocket. There, Puddle turns his head to the sun streaming in his kitchen window as he makes popcorn on the stove. Meanwhile, Toot peers at the globe with a magnifying glass, planning an ambitious trip. He asks Puddle along, but goes forth alone, and from then on, the experiences of the two are laid side by side on the double-page spreads. A monthly postcard from Toot is reproduced over an illustration from his year-long adventure (scaling cliffs in the Alps, visiting an Italian pastry shop, taking a camel ride through Egypt, etc.), and a sort of reply comes from a scene of Puddle savoring events on the home front: gathering maple sap for syrup, playing in spring mud, painting a self-portrait, or trying out a Halloween mask. In Hobbie's expert watercolors are dozens of inventive touches—Puddle wearing a shower cap in the bath, Toot floating among hippos, some of his limbs breaking the surface in a subtle mimicry of their stances, funny allusions to famous art or locales; the book and its heroes are endearing, and readers will want to see more of Woodcock Pocket soon. (Picture book. 4-7)
Pub Date: Oct. 1, 1997
ISBN: 0-316-36552-1
Page Count: 32
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1997
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A ribald and uproarious warning to those unschooled in fishy goings-on.
Sharpson offers so-fish-ticated readers a heads up about the true terror of the seas.
The title says it all. Our unseen narrator is just fine with other animals: mammals. Reptiles. Even birds. But fish? Don’t trust them! First off, the rules always seem to change with fish. Some live in fresh water; some reside in salt water. Some have gills, while others have lungs. You can never see what they’re up to, since they hang out underwater, and they’re always eating those poor, innocent crabs. Soon, the narrator introduces readers to Jeff, a vacant-eyed yellow fish—but don’t be fooled! Jeff’s “the craftiest fish of all.” All fish are, apparently, hellbent on world domination, the narrator warns. “DON’T TRUST FISH!” Finally, at the tail end, we get a sly glimpse of our unreliable narrator. Readers needn’t be ichthyologists to appreciate Sharpson’s meticulous comic timing. (“Ships always sink at sea. They never sink on land. Isn’t that strange?”) His delightful text, filled to the brim with jokes that read aloud brilliantly, pairs perfectly with Santat’s art, which shifts between extreme realism and goofy hilarity. He also fills the book with his own clever gags (such as an image of Gilligan’s Island’s S.S. Minnow going down and a bottle of sauce labeled “Surly Chik’n Srir’racha’r”).
A ribald and uproarious warning to those unschooled in fishy goings-on. (Picture book. 4-7)Pub Date: April 8, 2025
ISBN: 9780593616673
Page Count: 40
Publisher: Dial Books
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
PERSPECTIVES
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