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BEST FOOD WRITING 2014

Consistent in quality and enthusiasm, Hughes again delivers a cornucopia of varietal amusements for foodophiles whose...

The 14th installment of a series known for dynamic, immersive food writing.

Longtime editor Hughes was challenged with the task of scouring books and magazines for “thoughtful, meaty” material while being a humble sentinel at her dying brother’s bedside. The entertaining essays she’s collected range in theme from home cooking, extreme palates and industrialized product developments to Cronuts and pickled baloney. A section on contemporary food trends examines the dust-up over big flavors and $4 toast being elevated to the “artisanal plane.” Particularly savory and eye-opening pieces include an entomophagist’s ingestion of insects as a source of both concentrated nutrition and inspiration; investigative journalist Barry Estabrook’s list of five foods plagued by historically questionable sanitization histories and overfarming; and a short report on Monsanto’s unsettlingly futuristic vegetable crossbreeding. Updates on prison commissary provisions and the sensationalized “last meal” as an “irresistible blend of food, death, and crime that drives a commercial and voyeuristic cottage industry” are also especially riveting. Among the more charmingly insightful gastronomical nuggets are John Birdsall’s perky analysis of American cuisine’s ostensive “gay sensibility,” food columnist J. Kenji López-Alt’s mouthwatering anatomy of a chocolate chip cookie and an exotic tour of street food in Asia from former Men’s Health food editor Matt Goulding. Humor and compassion, which Hughes admits sustained her throughout the book’s editing process, appear in satisfying doses in essays by self-taught baker Irvin Lin’s hilariously tongue-in-cheek recipe for boiling water, memories of homemade ketchup by David Leite and beloved New England novelist Ann Hood’s rediscovery of tomato pie. For Hughes, this particular edition of thoughtful food pondering “offered its own path of healing and comfort.”

Consistent in quality and enthusiasm, Hughes again delivers a cornucopia of varietal amusements for foodophiles whose palates crave invigorating interpretations and perspectives.

Pub Date: Nov. 1, 2014

ISBN: 978-0738217918

Page Count: 352

Publisher: Da Capo

Review Posted Online: Sept. 27, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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