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THE SWIMMING POOL

Whether open or suppressed, passion rules events, but this is not a murder mystery; instead LeCraw reveals the complex moral...

LeCraw’s remarkably confident first novel begins seven years after an unsolved murder and explores the ripple effect both of decisions that may have caused the murder and its aftermath.

Cecil McClatchy was away on a business trip when his wife Betsy was murdered in their Atlanta home, but he was clearly a suspect. Months later Cecil died in a car accident and the case has never been solved. Now Cecil’s grown children are spending the summer at the McClatchy summer place on Cape Cod. Daughter Callie has chosen to recover there after the difficult birth of her second child. Callie’s brother Jed has taken a leave from his legal career to stay with her since her husband can only commute from his own career on weekends—an example of LeCraw’s sometimes unconvincing plotting. In the attic Jed finds a bathing suit he knows was not his mother’s but belonged to a Cape neighbor, Marcella Atkinson, on whom he once had an adolescent crush and whose college-age daughter Toni is currently working for Callie as a nanny. Soon Jed is at her doorstep in Connecticut asking why the bathing suit turned up at his house. Marcella, long divorced from her seemingly aloof husband Anthony, confesses that she and Cecil had an affair, that she knows he was innocent of murder because they were together. In fact that very weekend Cecil had told her his decision to stay in his marriage; after Betsy’s death, he made Marcella promise not to acknowledge the affair to protect his children from further pain. Soon Jed and Marcella begin their own secret affair complicated by Toni’s obvious crush on Jed. Meanwhile Callie sinks into dangerous postpartum depression exacerbated by unresolved grief over the loss of her parents. Every character feels guilt or at least regret, some with more reason than others.

Whether open or suppressed, passion rules events, but this is not a murder mystery; instead LeCraw reveals the complex moral and psychological mystery within all relationships.

Pub Date: April 6, 2010

ISBN: 978-0-385-53193-1

Page Count: 320

Publisher: Doubleday

Review Posted Online: June 3, 2010

Kirkus Reviews Issue: May 15, 2010

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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