Whether open or suppressed, passion rules events, but this is not a murder mystery; instead LeCraw reveals the complex moral...
LeCraw’s remarkably confident first novel begins seven years after an unsolved murder and explores the ripple effect both of decisions that may have caused the murder and its aftermath.
Cecil McClatchy was away on a business trip when his wife Betsy was murdered in their Atlanta home, but he was clearly a suspect. Months later Cecil died in a car accident and the case has never been solved. Now Cecil’s grown children are spending the summer at the McClatchy summer place on Cape Cod. Daughter Callie has chosen to recover there after the difficult birth of her second child. Callie’s brother Jed has taken a leave from his legal career to stay with her since her husband can only commute from his own career on weekends—an example of LeCraw’s sometimes unconvincing plotting. In the attic Jed finds a bathing suit he knows was not his mother’s but belonged to a Cape neighbor, Marcella Atkinson, on whom he once had an adolescent crush and whose college-age daughter Toni is currently working for Callie as a nanny. Soon Jed is at her doorstep in Connecticut asking why the bathing suit turned up at his house. Marcella, long divorced from her seemingly aloof husband Anthony, confesses that she and Cecil had an affair, that she knows he was innocent of murder because they were together. In fact that very weekend Cecil had told her his decision to stay in his marriage; after Betsy’s death, he made Marcella promise not to acknowledge the affair to protect his children from further pain. Soon Jed and Marcella begin their own secret affair complicated by Toni’s obvious crush on Jed. Meanwhile Callie sinks into dangerous postpartum depression exacerbated by unresolved grief over the loss of her parents. Every character feels guilt or at least regret, some with more reason than others.
Whether open or suppressed, passion rules events, but this is not a murder mystery; instead LeCraw reveals the complex moral and psychological mystery within all relationships.Pub Date: April 6, 2010
ISBN: 978-0-385-53193-1
Page Count: 320
Publisher: Doubleday
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: May 15, 2010
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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