An enthralling and sensitive work of crime fiction.
An aspiring singer struggles to leave her narcissistic, abusive husband in Cormier’s thriller.
Memphis is stuck in 1970s Nashville. She once aspired to be a singer, but ended up in an abusive marriage with a narcissistic addict named Johnny. She has been cowed into submission (“Memphis does as she’s told”) and suffers frequent physical and emotional abuse from Johnny as their young son, Michael watches. Johnny is enabled by Memphis’ mother, Doris, a selfish woman with a shady past and dark ties to Johnny who keeps her daughter under Johnny’s ruthless control. When Memphis learns Johnny has been having an affair, she packs her and Michael’s things and leaves for her cousin Lana’s home in Los Angeles. When Johnny finds out she’s left, he sets out to find her, intent on bringing Michael home and regaining control over Memphis. He trails them all the way to California, where he becomes a violent threat. Unaided by the local police, Memphis must find a way to keep herself and her loved ones safe and somehow achieve her dreams of becoming a singer. Cormier has created a folksy, enthralling story that could have been the subject of a tragic country song; it grows more exciting and complex as the narrative progresses. Multiple perspectives are handled flawlessly—the author deftly uses them to juxtapose the airy freedom of Memphis’ fantasies and aspirations and the darkness of her reality. The characters are all handled with care; none are stereotypical and each gets a chance to explain themselves, whether the reader agrees with them or not. Johnny in particular is portrayed in a complex manner as Cormier touches on his background and conveys how he became such a toxic person, allowing readers to understand him without condoning his actions. The result is a story full of twists, turns, and desperation, delivered with the passion and dedication of an advocate, which elevates the novel above standard thriller/crime fare.
An enthralling and sensitive work of crime fiction.Pub Date: Oct. 27, 2025
ISBN: 9798285532255
Page Count: 336
Publisher: N/A
Review Posted Online: Dec. 3, 2025
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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