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The Sovereign Order of Monte Cristo

NEWLY DISCOVERED ADVENTURES OF SHERLOCK HOLMES (SPECIAL EDITION)

A long, unwieldy novel that recapitulates a story told better by its original author, with a final third setting up a story...

A retelling of Alexandre Dumas’ 1844 classic The Count of Monte Cristo that continues the story of Edmond Dantès.

The pseudonymous Holy Ghost Writer (The Count of Monte Cristo as Retold by Sherlock Holmes, 2013, etc.) offers 245 pages of new adventures for Dantès, aka the Count of Monte Cristo, narrated by Arthur Conan Doyle’s equally classic detective Sherlock Holmes (with a guest appearance by Mark Twain’s Huckleberry Finn). The new material, enough for a stand-alone novel by itself, is preceded by a 571-page recap of Dumas’ original novel, also narrated by Holmes. Given that the original is widely available in print and digital form, it’s hard to imagine why one would want to read a version that eliminates Dumas’ color and description. Holmes’ voice often sounds more like a 21st-century man’s (“Mercedes had no idea that [Fernand] was caught up in the thing with Edmond”) than Doyle’s meticulous, cerebral hero’s. The new material has Holmes befriending the much older Dantès and becoming embroiled in his life in the antebellum American South. Dantès is urged to go there by a mysterious, disembodied voice, which also advises him to buy a plantation and then free his slaves in order to show his neighbors that treating workers humanely gets better results than cruelty. The continuation also endows Dantès with not one, but two wives—Haydee and Mercedes from the original tale—and a passing liaison with a Bedouin girl, Raymee, produces twins. There’s also Black Beauty, an erstwhile slave whose son is widely assumed to be Dantès’; in fact, Holmes is his father. However, the plot never quite gets going, as the novel turns out to be merely a setup for a yet-to-be-published volume in which Dantès will prove to be the guiding force behind the Civil War and President Abraham Lincoln’s freeing of the slaves. The author also reveals that Dantès is the inventor of dry ice, Epsom salts and the greenhouse; the co-founder of Yale University’s legendary Skull and Bones Club; and a descendant of King Solomon, Jesus and the Merovingian kings. It effectively turns Dantès from a flawed hero who realizes too late the price of revenge to a two-dimensional uber-mensch.

A long, unwieldy novel that recapitulates a story told better by its original author, with a final third setting up a story that remains to be told. 

Pub Date: July 4, 2013

ISBN: 978-1490406848

Page Count: 816

Publisher: CreateSpace

Review Posted Online: Jan. 22, 2014

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NIGHT SHIFT

Twenty New England horror shorts by Stephen King (and a painfully lofty introduction by old pro John D. MacDonald). King, of course, is the 30-year-old zillionaire who poured the pig's blood on Carrie, woke the living dead in 'Salem's Lot, and gave a bad name to precognition in The Shining. The present collection rounds up his magazine pieces, mainly from Cavalier, and also offers nine stories not previously published. He is as effective in the horror vignette as in the novel. His big opening tale, "Jerusalem's Lot"—about a deserted village—is obviously his first shot at 'Salem's Lot and, in its dependence on a gigantic worm out of Poe and Lovecraft, it misses the novel's gorged frenzy of Vampireville. But most of the other tales go straight through you like rats' fangs. "Graveyard Shift" is about cleaning out a long unused factory basement that has a subbasement—a hideous colony of fat giant blind legless rats that are mutating into bats. It's a story you may wish you hadn't read. You'll enjoy the laundry mangle that becomes possessed and begins pressing people into bedsheets (don't think about that too much), a flu bug that destroys mankind and leaves only a beach blanket party of teenagers ("Night Surf"), and a beautiful lady vampire and her seven-year-old daughter abroad in a Maine blizzard ("One for the Road"). Bizarre dripperies, straight out of Tales from the Crypt comics. . . a leprous distillation.

Pub Date: Jan. 20, 1977

ISBN: 0385129912

Page Count: 367

Publisher: N/A

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: Jan. 1, 1977

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'SALEM'S LOT

A super-exorcism that leaves the taste of somebody else's blood in your mouth and what a bad taste it is. King presents us with the riddle of a small Maine town that has been deserted overnight. Where did all the down-Easters go? Matter of fact, they're still there but they only get up at sundown. . . for a warm drink. . . .Ben Mears, a novelist, returns to Salem's Lot (pop. 1319), the hometown he hasn't seen since he was four years old, where he falls for a young painter who admires his books (what happens to her shouldn't happen to a Martian). Odd things are manifested. Someone rents the ghastly old Marsten mansion, closed since a horrible double murder-suicide in 1939; a dog is found impaled on a spiked fence; a healthy boy dies of anemia in one week and his brother vanishes. Ben displays tremendous calm considering that you're left to face a corpse that sits up after an autopsy and sinks its fangs into the coroner's neck. . . . Vampirism, necrophilia, et dreadful alia rather overplayed by the author of Carrie (1974).

Pub Date: Oct. 17, 1975

ISBN: 0385007515

Page Count: 458

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: Oct. 1, 1975

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