Next book

The Count of Monte Cristo as Retold by Sherlock Holmes

A curious, intriguing effort to retell a classic through the eyes of an iconic character, but several unanswered questions...

A unique twist on a time-honored tale that interweaves several literary characters.

Writing under the pen name of the “Holy Ghost Writer,” the author retells Alexandre Dumas’ well-known story from 1844. This time, however, the saga is told from the perspective of Sherlock Holmes. With right-hand man and chronicler Dr. Watson by his side, he regales Watson with this adventure for “literary posterity.” But it’s not all tied up in a nice little bow. Holmes chronicles Dumas’ story about Edmond Dantes, who starts off young, idealistic and happy before his life takes a drastic turn for the worse when he’s wrongly accused of a crime and serves years in prison as a result. Over time, his idealism fades and is replaced with a desire for revenge as he witnesses the limitations of the criminal justice system. He befriends a man in prison who ultimately dies and leaves Dantes with his fortune. Once free, Dantes sets out to punish the enemies responsible for his misfortune, taking on the guise of the wealthy and mysterious Count of Monte Cristo. Readers reunite with the detective and his companion in brief interludes throughout the book, as the two break to marvel at the adventure or sit down for a meal. The tale touches on many themes—justice, vengeance, hope, forgiveness—but it’s not clear why this story is being retold; perhaps the planned sequels will explain. In addition, the dialogue often feels forced and unrealistic. For instance, when Holmes promises to tell the story of the Sultan of Albania, Watson declares: “Absolutely wonderful….I really cannot wait to hear and record every detail....I am dying to find out what happens to my favorite characters, especially the world’s most elusive personality.”

A curious, intriguing effort to retell a classic through the eyes of an iconic character, but several unanswered questions remain.

Pub Date: July 4, 2013

ISBN: 978-1490927305

Page Count: 566

Publisher: CreateSpace

Review Posted Online: Nov. 6, 2013

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Next book

DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

Categories:
Close Quickview