More faithful to the original but less astonishing than Christopher Logue’s work and lacking some of the music of Fagles’...
Fresh version of one of the world’s oldest epic poems, a foundational text of Western literature.
Sing to me, O muse, of the—well, in the very opening line, the phrase Wilson (Classical Studies, Univ. of Pennsylvania) chooses is the rather bland “complicated man,” the adjective missing out on the deviousness implied in the Greek polytropos, which Robert Fagles translated as “of twists and turns.” Wilson has a few favorite words that the Greek doesn’t strictly support, one of them being “monstrous,” meaning something particularly heinous, and to have Telemachus “showing initiative” seems a little report-card–ish and entirely modern. Still, rose-fingered Dawn is there in all her glory, casting her brilliant light over the wine-dark sea, and Wilson has a lively understanding of the essential violence that underlies the complicated Odysseus’ great ruse to slaughter the suitors who for 10 years have been eating him out of palace and home and pitching woo to the lovely, blameless Penelope; son Telemachus shows that initiative, indeed, by stringing up a bevy of servant girls, “their heads all in a row / …strung up with the noose around their necks / to make their death an agony.” In an interesting aside in her admirably comprehensive introduction, which extends nearly 80 pages, Wilson observes that the hanging “allows young Telemachus to avoid being too close to these girls’ abused, sexualized bodies,” and while her reading sometimes tends to be overly psychologized, she also notes that the violence of Odysseus, by which those suitors “fell like flies,” mirrors that of some of the other ungracious hosts he encountered along his long voyage home to Ithaca.
More faithful to the original but less astonishing than Christopher Logue’s work and lacking some of the music of Fagles’ recent translations of Homer; still, a readable and worthy effort.Pub Date: Nov. 7, 2017
ISBN: 978-0-393-08905-9
Page Count: 656
Publisher: Norton
Review Posted Online: Sept. 3, 2017
Kirkus Reviews Issue: Sept. 15, 2017
BOOK REVIEW
BOOK TO SCREEN
Picoult’s strengths are evident in her exhaustively researched and gut-wrenching demonstration of OI’s devastating effects...
In another issue-driven novel, Picoult (Change of Heart, 2008, etc.) explores the impact of “wrongful birth” litigation on an ordinary New Hampshire family.
Charlotte O’Keefe, a prominent pastry chef, was thrilled when she conceived at age 38 without resorting to fertility treatments. Although she has a daughter, Amelia, by a previous relationship, she and her new husband, police officer Sean, wanted a child of their own. Charlotte’s best friend Piper unwisely agrees to be her OB-GYN. Eighteen weeks into the pregnancy, during a routine ultrasound, Piper, looking for signs of possible Down syndrome, discounts the import of the fetus’s unusually transparent cranium. At 27 weeks, another ultrasound reveals that Charlotte’s daughter has sustained several fractures in utero, a sign that she suffers from osteogenesis imperfecta (OI), a rare congenital defect that causes brittle bones and severe complications (including scoliosis, respiratory problems and years of costly orthopedic interventions). Now age six, Willow, still toddler-sized, cannot walk, play or even turn over in bed without risking a compound fracture. Charlotte abandoned her career to care for Willow 24/7. Although Willow is precocious intellectually and for the most part a joy to be around, her illness is, inarguably, a drain on family finances and emotions. After a vacation at Disney World goes horribly awry, the O’Keefes spiral apart. Charlotte decides to file a wrongful-birth lawsuit against Piper. The proceeds from the lawsuit, she rationalizes, would provide the quality of lifetime care Willow needs, even if suing amounts to betrayal. Sean is appalled by the implications of the lawsuit: that Willow should never have been born, and that Charlotte, if properly cautioned, would have contemplated abortion. Amelia, once a normal teen, becomes a bulimic, self-mutilating shoplifter.
Picoult’s strengths are evident in her exhaustively researched and gut-wrenching demonstration of OI’s devastating effects and the impact of a child’s disability on a sibling. However, too often characterization takes a back seat to polemic. Worse, the central moral quandary is undermined by an overly pat resolution.Pub Date: March 3, 2009
ISBN: 978-0-7432-9641-0
Page Count: 480
Publisher: Atria
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2009
A story about survival that is heartbreakingly honest and wryly funny, perfect for fans of Jojo Moyes and Elizabeth Berg.
A woman faces a new life after surviving a plane crash in this moving story from Center (Happiness for Beginners, 2015, etc.).
Margaret Jacobsen has always been afraid of flying—which is why she’s extra hesitant to get in a plane flown by her pilot-in-training boyfriend, Chip, on Valentine’s Day. When Chip proposes in the air, Margaret has everything she’s ever wanted: an MBA, a great job lined up, and now the fiance of her dreams. But then Margaret’s biggest nightmare becomes a reality: The plane crashes. Chip walks away without a scratch while Margaret has severe burns on her neck and a spinal cord injury. Suddenly, everything about Margaret’s life has changed: Her job offer is rescinded, Chip can’t cope with her injuries, and she may never walk again. Now, Margaret has only her family to depend on—her well-meaning but controlling mother, her loving father, and her black-sheep sister, Kitty, who returns to town after years of estrangement. As her family members try in their own ways to motivate Margaret, she also has to get through physical therapy with Ian, the world’s grumpiest Scottish physical therapist. He has a prickly exterior, but Margaret slowly begins to realize that there may be more to him than she initially thought. A story that could be either uncompromisingly bleak or unbearably saccharine is neither in Center’s hands; Margaret faces her challenges with a sense of humor that feels natural. She has days when the reality of her changed life hits her and she can’t get out of bed, and she has moments where she and Kitty laugh so hard they cry. What she ultimately learns is that while her life may be much different than she expected and she may never be fully healed, as Ian puts it, “It’s the trying that heals you.” Margaret learns to take control of her own life in the wake of loss and change, trying to form a life she wants instead of a life everyone else wants for her. Center’s characters, especially Margaret and Kitty, leap off the page with their unique voices, and their relationships evolve slowly and satisfyingly. Although this is largely the story of Margaret learning to make the most of her life, it’s also a touching and believable love story with plenty of romantic-comedy flourishes.
A story about survival that is heartbreakingly honest and wryly funny, perfect for fans of Jojo Moyes and Elizabeth Berg.Pub Date: May 15, 2018
ISBN: 978-1-250-14906-0
Page Count: 320
Publisher: St. Martin's
Review Posted Online: March 4, 2018
Kirkus Reviews Issue: March 15, 2018
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