A lighthearted road novel that doesn’t shy away from the inherent darkness of vampire life.
In Parker’s horror comedy series starter, a novice vampire struggles to adjust to her new reality.
“Be steely.” That’s what Sugar Bernstein’s boyfriend Curtis always told her, and it’s advice that she needs more than ever, now that her life has been completely upended. Curtis is dead; Sugar’s no longer a Manhattan condo-dwelling ad executive with a penchant for shopping, wine, and mani-pedis; and her close-knit Jewish family is far away. Now, jobless Sugar both travels and resides in a Sprinter van, avoiding people and sunlight because she’s a vampire—the effect of a bite from Alexandria, also known as She-vil, a “vamp who lives on hate.” Alexandria constantly intrudes into Sugar’s dreams; while awake, Sugar struggles to feed herself by killing small animals. Also, her twin brother keeps trying to get her to attend his daughter’s bat mitzvah, which is inconveniently scheduled for the daytime. She does find some aspects of “V-life” more appealing: She lost a few pounds that she wanted to shed, and sometimes she manages to fly; when she falls, her broken limbs heal quickly. She also discovers a chain of RV parks that cater to an undead clientele, and that vampire sex is fantastic. Still, Sugar grapples with guilt—especially when it comes to her boyfriend’s untimely death at Alexandria’s hands. She’s increasingly aware that a possibly fatal showdown with Alexandria is inevitable. Over the course of the novel, Parker delivers a winning paranormal tale with quirky details. One fanged couple that Sugar meets, for instance, lives in a converted ambulance, and readers find out that even vamps care about gas mileage. Sugar is an inspired creation who’s relatable and quick-witted, and Parker excels at witty banter, especially between Sugar and her twin. Still, there’s an effective undercurrent of seriousness: Human companionship is off the table for Sugar, who’s forced to take lives to keep hers. The first person she deliberately kills is loathsome, but she can’t help but feel moral revulsion—and sadly, there’s no turning back.
A lighthearted road novel that doesn’t shy away from the inherent darkness of vampire life.Pub Date: June 25, 2024
ISBN: 9798986205137
Page Count: 322
Publisher: N/A
Review Posted Online: Aug. 16, 2024
Kirkus Reviews Issue: Oct. 1, 2024
Review Program: Kirkus Indie
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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