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THE AFTERGRIEF

FINDING YOUR WAY ALONG THE LONG ARC OF LOSS

A timelessly relevant chronicle on enduring grief.

How the impact of human loss transcends the lives of the bereaved.

As she did in the bestselling Motherless Daughters (1994), which examined the emotional challenges of women who grew up without a maternal figure, Edelman dissects the dynamics of grief. “I wish there were a foolproof method for ‘getting over’ the death of someone we love,” she writes in the lucid preamble. However, “everything I’ve experi­enced, learned, and observed over the past thirty-eight years has taught me otherwise.” Drawing on her in-depth interviews with 81 individuals, the author looks at how the grieving process shaped her subjects’ lives and could potentially impact their futures as well. Edelman’s personal journey, though repetitive, is also noteworthy: Her mother died of breast cancer in 1981 at age 42, and she discusses the ever evolving meaning of her death, particularly once she became a parent and “really understood how foreshortened my mother’s life had been and what she’d missed out on by dying so young.” The author also explores grief from a historical perspective through eras devastated by war and disease, and she taps into psychological, societal, and gender-specific patterns of mourning, referencing research studies on such concepts as “the rings of grief.” Sensitive readers should brace for the heartbreaking profiles of people whose lives never fully rebounded from the catastrophic loss of a loved one, whether the death was sudden, protracted, or shrouded in mystery. These varied perspectives coalesce to show how grief endures longer than most people ever realize. Edelman emphasizes that while we may never truly outlive the fallout from loss, it becomes an element of life that can be integrated into our own unique versions of felicity. “Unexpressed grief from the past may be one of the most overlooked public health crises of our time,” writes the author, who proactively seeks to change cultural perceptions about the way it is viewed, with an eye toward improved support networks for post-traumatic growth.

A timelessly relevant chronicle on enduring grief.

Pub Date: Oct. 6, 2020

ISBN: 978-0-399-17978-5

Page Count: 320

Publisher: Ballantine

Review Posted Online: Sept. 18, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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GREENLIGHTS

A conversational, pleasurable look into McConaughey’s life and thought.

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All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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