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WILD HORSES I HAVE KNOWN

Ryden (Wild Horse Summer, 1997, etc.) photographs the wild horses of the Pryor Mountains and chronicles their ancient origins, how they live, their colors and markings, and how she and others have fought to get the federal legislation that protects such horses from those who would hunt them down or take away their habitat. In passing she describes some of the mustangs she came to know, if from a distance: Lonesome, The Black King, Buck, Old Nellie, and others. The complex structure of their male-female relationships are described in detail as part of the larger social formation that ensures food and space for all, improving the chances of the animals’ survival in an extraordinarily harsh environment. Stunning full-color photographs show the mustangs running free, one of the last species that does; Ryden makes a convincing case for guaranteeing that they always will. (sources) (Nonfiction. 9-11)

Pub Date: March 22, 1999

ISBN: 0-395-77520-5

Page Count: 90

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1999

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RED-EYED TREE FROG

Bishop’s spectacular photographs of the tiny red-eyed tree frog defeat an incidental text from Cowley (Singing Down the Rain, 1997, etc.). The frog, only two inches long, is enormous in this title; it appears along with other nocturnal residents of the rain forests of Central America, including the iguana, ant, katydid, caterpillar, and moth. In a final section, Cowley explains how small the frog is and aspects of its life cycle. The main text, however, is an afterthought to dramatic events in the photos, e.g., “But the red-eyed tree frog has been asleep all day. It wakes up hungry. What will it eat? Here is an iguana. Frogs do not eat iguanas.” Accompanying an astonishing photograph of the tree frog leaping away from a boa snake are three lines (“The snake flicks its tongue. It tastes frog in the air. Look out, frog!”) that neither advance nor complement the action. The layout employs pale and deep green pages and typeface, and large jewel-like photographs in which green and red dominate. The combination of such visually sophisticated pages and simplistic captions make this a top-heavy, unsatisfying title. (Picture book. 7-9)

Pub Date: March 1, 1999

ISBN: 0-590-87175-7

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1999

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QUACK AND COUNT

Baker (Big Fat Hen, 1994, etc.) engages in more number play, posing ducklings in every combination of groups, e.g., “Splashing as they leap and dive/7 ducklings, 2 plus 5.” Using a great array of streaked and dappled papers, Baker creates a series of leafy collage scenes for the noisy, exuberant ducklings to fill, tucking in an occasional ladybug or other small creature for sharp-eyed pre-readers to spot. Children will regretfully wave goodbye as the ducks fly off in neat formation at the end of this brief, painless introduction to several basic math concepts. (Picture book. 4-6)

Pub Date: Aug. 1, 1999

ISBN: 0-15-292858-8

Page Count: 24

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1999

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