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IN THE PALACE OF THE MOVIE KING

"By the last decade of the twentieth century, America...had become accustomed to taking to its heart or its bosom...a particular band of adopted heroes...called dissidents." In her latest bemusement with fancies bred in the dazzlingly cerebrating heads of wryly antiheroic protagonists, and with a spider-web-light satiric voice, Calisher (Age, 1987; The Bobby-Soxer, 1986, etc.) here follows the arrival in America of a famous cinema director— his netting by and release from a "minor Balkan province" (presumably Albania). For 16 years, Paul Gonchev, born in Russia, educated in Japan, has produced "travelogues" in the "confined space" of a fierce small country where travel was a "sin." Then, scenting danger in a country thistled with it, Gonchev's wife, Vuksica—mother of teenaged Laura and bullboy son Klement—arranges to have Gonchev shanghaied ("exported" as he would later think of it) to America, hungry for famous dissidents. Unlikely guides take over: a brace of dissident-hunters; a Breslin-like Manhattan journalist; and Roko, the tiny Japanese woman who translates (Gonchev reserves his English). Back home, meanwhile, the family stirs: Laura arrives in the US bound for yuppiedom; brother-in-law Danilo and Vuksica will perform virtuoso rescues; and a mother shoots her son! All this while Gonchev absorbs the US (accompanied by lover Roko) in short takes: from the color of N.Y.C.'s harbor ("sadness or squid") to college students eating red meat ("recently on the haunch") to a quake in California, where a new friend is slowly devoured by earth-as-womb. Throughout the emigres' journey, Gonchev tosses off bomblets of perceptions, cinematic images giving off little heat but a sharp flickering light, with some incidental buffoonery. At the close, Gonchev, a happy American, will teach his students to forget the dream city of the emigre and "record wherever one is, while standing by the river of flux." A slow, packed, teeming fictional journey, but the becalmed- to-bucketing excursion through the fantasized emigre experience is worth a trip.

Pub Date: Jan. 1, 1994

ISBN: 0-679-41574-2

Page Count: 448

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1993

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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OWEN FOOTE, MONEY MAN

In his quest for easy moolah, Owen learns that the road to financial solvency can be rocky and fraught with work. Greene (Owen Foote, Soccer Star, 1998, etc.) touches upon the often-thorny issue of chores and allowances: Owen’s mom wants him to help out because he’s part of the family and not just for the money—while Owen wants the money without having to do tedious household chores. This universal dilemma leaves Owen without funds and eagerly searching for ways to make a quick buck. His madcap schemes range from original—a “free” toilet demonstration that costs 50 cents—to disastrous, as during the trial run of his children’s fishing video, Owen ends up hooking his ear instead of a trout. Enlisting the aid of his stalwart, if long-suffering, friend Joseph, the two form a dog-walking club that becomes vastly restricted in clientele after Owen has a close encounter with an incontinent, octogenarian canine. Ultimately, Owen learns a valuable lesson about work and money when an unselfish action is generously rewarded. These sudden riches motivate Owen to consider wiser investments for his money than plastic vomit. Greene’s crisp writing style and wry humor is on-target for young readers. Brief chapters revolving around a significant event or action and fast pacing are an effective draw for tentative readers. Weston’s (Space Guys!, p. 392, etc.) black-and-white illustrations, ranging in size from quarter- to full-page, deftly portray Owen’s humorous escapades. A wise, witty addition to Greene’s successful series. (Fiction. 8-10)

Pub Date: Sept. 18, 2000

ISBN: 0-618-02369-0

Page Count: 96

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2000

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