by Howard Axelrod ‧ RELEASE DATE: Sept. 22, 2015
A vibrant, honest, and poetic account of how two years of solitude surrounded by nature changed a man forever.
How losing eyesight in one eye made a man see more clearly.
Following a freak accident that left him without sight in one eye, the world Axelrod had envisioned for himself after graduating from Harvard suddenly didn’t seem to matter. Nothing felt concrete—not the world around him, his future plans, or even his own physical sense of being. A year in Italy and two cross-country trips still left him searching for meaning. He retreated to a small cabin deep in the woods of Vermont, a place far enough away from the noise of the world that he could hear himself think. Time slowed down to a snail’s pace as he wandered the forests on snowshoes, through the deep muck of mud season and the intense green of summer. Axelrod lyrically captures the essence of nature as he ponders his own self-worth and purpose in life. After his first winter, when summer returned, “the green was a revelation, a prodigal son—a color that had once existed, gone missing in the snows and miraculously returned. It opened itself through the hazed meadows, through the blue-green hills, through the reflections in the pewter green ponds; it deepened the blue in the pines, gilded the light off the streams, and relented only towards dusk, yielding to the slow antics of the fireflies, to the stars overhead….” By reflecting on the scenery around him and examining memories of his childhood, his school friends, and a special girl he knew in Italy, Axelrod slowly gained a deeper understanding of what it means to be alive. In his first book, the author pushes beyond the boundaries and safety nets of the modern world and opens a doorway to feelings and experiences many long for but never encounter. His writing is a balm for world-weary souls.
A vibrant, honest, and poetic account of how two years of solitude surrounded by nature changed a man forever.Pub Date: Sept. 22, 2015
ISBN: 978-0-8070-7546-3
Page Count: 224
Publisher: Beacon Press
Review Posted Online: June 3, 2015
Kirkus Reviews Issue: June 15, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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