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MY LOBOTOMY

A MEMOIR

A profoundly disturbing survivor’s tale.

Gut-wrenching memoir by a man who was lobotomized at the age of 12.

Assisted by journalist/novelist Fleming (After Havana, 2003, etc.), Dully recounts a family tragedy whose Sophoclean proportions he could only sketch in his powerful 2005 broadcast on NPR’s All Things Considered. “In 1960,” he writes, “I was given a transorbital, or ‘ice pick’ lobotomy. My stepmother arranged it. My father agreed to it. Dr. Walter Freeman, the father of the American lobotomy, told me he was going to do some ‘tests.’ It took ten minutes and cost two hundred dollars.” Fellow doctors called Freeman’s technique barbaric: an ice pick–like instrument was inserted about three inches into each eye socket and twirled to sever connections from the frontal lobe to the rest of the brain. The procedure was intended to help curb a variety of psychoses by muting emotional responses, but sometimes it irreversibly reduced patients to a childlike state or (in 15% of the operations Freeman performed) killed them outright. Dully’s ten-minute “test” did neither, but in some ways it had a far crueler result, since it didn’t end the unruly behavior that had set his stepmother against him to begin with. “I spent the next forty years in and out of insane asylums, jails, and halfway houses,” he tells us. “I was homeless, alcoholic, and drug-addicted. I was lost.” From all accounts, there was no excuse for the lobotomy. Dully had never been “crazy,” and his (not very) bad behavior sounds like the typical acting-up of a child in desperate need of affection. His stepmother responded with unrelenting abuse and neglect, his father allowed her to demonize his son and never admitted his complicity in the lobotomy; Freeman capitalized on their monumental dysfunction. It’s a tale of epic horror, and while Dully’s courage in telling it inspires awe, readers are left to speculate about what drove supposedly responsible adults to such unconscionable acts.

A profoundly disturbing survivor’s tale.

Pub Date: Sept. 4, 2007

ISBN: 978-0-307-38126-2

Page Count: 288

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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