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HOW TO WRITE A SINGLE-MINDED PROPOSITION

FIVE INSIGHTS ON ADVERTISING'S MOST DIFFICULT SENTENCE. PLUS TWO NEW APPROACHES.

A concise guide to effective advertising strategy.

Advice on how to focus on what matters in an ad campaign.

Essayist, educator, and public speaker Ibach (How to Write an Inspired Creative Brief, 2nd Ed., 2015, etc.) has decades of experience as an advertising copywriter/creative director, and in this book, he can’t help but admire the strong simplicity of a well-wrought, single-minded proposition, or “SMP.” From an advertising agency’s perspective, the SMP is the “one, most important thing we need to say about [a] product.” It’s also the linchpin of a stellar creative brief—the document that drives an agency’s advertising campaign. With laserlike focus, this book effectively analyzes the SMP by first discussing its current usage and then revealing “new perspectives” on its application. Advertising newcomers and readers outside the industry will find that this first section does a fine job of defining the central concept, and it’s written with aplomb. It highlights several excellent examples of SMPs, such as those for the European Tango carbonated drink and the drug Viagra; shows the SMP’s relationship and importance to the creative brief; and distinguishes between an SMP’s features and benefits, among other things. One key point that Ibach makes is that an SMP must be aimed at a specific target audience. He closes the section by reviewing a weak brief and walking readers through how to fix it, which ties in with a workshop that he promotes at the book’s end. Ibach also includes creative exercises that help to hone the reader’s SMP-writing abilities, such as naming two features of a mundane object. The second, very brief section of this well-designed guide relies on input from two other advertising professionals (consultant Paul Feldwick and DDB Canada president Lance Saunders), proposing a way of approaching the SMP, which, Ibach admits, has already been adopted by some executives. It basically revolves around an understanding that the decision to buy is “based solely on emotion, not rationality,” to quote Saunders. What’s missing in this part of the book, though, are the meaty examples of the first section. Still, it makes for a good send-off, and it encourages deeper creative consideration of the SMP.

A concise guide to effective advertising strategy.

Pub Date: May 5, 2018

ISBN: 978-0-692-12000-2

Page Count: 110

Publisher: Ibach Media Group LLC

Review Posted Online: July 31, 2018

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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