At turns a romp and a disquisition worthy of Maimonides; elegantly written throughout, and with plenty of punchlines too.
Elegiac—but also humorous—meditation on life’s big questions: life, death, the nature of justice, whether to sleep with a German. The book won the 2010 Man Booker Prize.
Nearing the end of his 60s, Jacobson, who has likened himself to a “Jewish Jane Austen,” is a very funny man. His lead character, a London media type named Julian Treslove, is not Jewish, but he might as well be: He has a Woody Allen–size complex of neuroses and worries, and “his life had been one mishap after another.” Mugged by a woman who utters a mysterious syllable—“Ju,” Treslove thinks—while going through his pockets, he finds himself about as angst-ridden as an angst-ridden person can be. His widower friends Finkler and Libor, great successes in their day, are no pikers in the angst department, though, lonely and full of the usual aches and veys; as Treslove notes, “A man without a wife can be lonely in a big black Mercedes, no matter how many readers he has.” The three pass their days together gnawing various questions to the bone, not least whether, in the post-Holocaust days, it is possible to “contemplate having an affair with someone who looked German.” (Consensus: No, even if that someone was Marlene Dietrich.) When Libor’s great-niece, Hephzibah, sweeps into the picture, Treslove finds himself thinking much more about questions of the heart, even as Finkler, a writer of pop philosophy, is swept away in a flood of “ASHamed Jews” who “were not to blame for anything” but were in the thick of controversy all the same—for, Finkler sighs, the very word “Jew” (was that what Treslove’s attacker was saying?) is “a password to madness…One little word with no hiding place for reason in it.” Jacobson’s gentle tale of urban crises of the soul slowly turns into an examination of anti-Semitism, of what it means to be Jewish in a time when “the Holocaust had become negotiable.”
At turns a romp and a disquisition worthy of Maimonides; elegantly written throughout, and with plenty of punchlines too.Pub Date: Oct. 12, 2010
ISBN: 978-1-60819-611-1
Page Count: 320
Publisher: Bloomsbury
Review Posted Online: Nov. 4, 2010
Kirkus Reviews Issue: Nov. 15, 2010
A thoroughly empathetic examination of the fragile human spirit, Backman’s latest will resonate a long time.
In Beartown, where the people are as "tough as the forest, as hard as the ice," the star player on the beloved hockey team is accused of rape, and the town turns upon itself.
Swedish novelist Backman’s (A Man Called Ove, 2014, etc.) story quickly becomes a rich exploration of the culture of hockey, a sport whose acolytes see it as a violent liturgy on ice. Beartown explodes after rape charges are brought against the talented Kevin, son of privilege and influence, who's nearly untouchable because of his transcendent talent. The victim is Maya, the teenage daughter of the hockey club’s much-admired general manager, Peter, another Beartown golden boy, a hockey star who made it to the NHL. Peter was lured home to bring winning hockey back to Beartown. Now, after years of despair, the local club is on the cusp of a championship, but not without Kevin. Backman is a masterful writer, his characters familiar yet distinct, flawed yet heroic. Despite his love for hockey, where fights are part of the game, Peter hates violence. Kira, his wife, is an attorney with an aggressive, take-no-prisoners demeanor. Minor characters include Sune, "the man who has been coach of Beartown's A-team since Peter was a boy," whom the sponsors now want fired. There are scenes that bring tears, scenes of gut-wrenching despair, and moments of sly humor: the club president’s table manners are so crude "you can’t help wondering if he’s actually misunderstood the whole concept of eating." Like Friday Night Lights, this is about more than youth sports; it's part coming-of-age novel, part study of moral failure, and finally a chronicle of groupthink in which an unlikely hero steps forward to save more than one person from self-destruction.
A thoroughly empathetic examination of the fragile human spirit, Backman’s latest will resonate a long time.Pub Date: April 25, 2017
ISBN: 978-1-5011-6076-9
Page Count: 336
Publisher: Atria
Review Posted Online: Feb. 20, 2017
Kirkus Reviews Issue: March 1, 2017
BOOK TO SCREEN
A somewhat fragmentary nocturnal shadows Jim Nightshade and his friend Will Halloway, born just before and just after midnight on the 31st of October, as they walk the thin line between real and imaginary worlds. A carnival (evil) comes to town with its calliope, merry-go-round and mirror maze, and in its distortion, the funeral march is played backwards, their teacher's nephew seems to assume the identity of the carnival's Mr. Cooger. The Illustrated Man (an earlier Bradbury title) doubles as Mr. Dark. comes for the boys and Jim almost does; and there are other spectres in this freakshow of the mind, The Witch, The Dwarf, etc., before faith casts out all these fears which the carnival has exploited... The allusions (the October country, the autumn people, etc.) as well as the concerns of previous books will be familiar to Bradbury's readers as once again this conjurer limns a haunted landscape in an allegory of good and evil. Definitely for all admirers.
Pub Date: June 15, 1962
ISBN: 0380977273
Page Count: 312
Publisher: Simon & Schuster
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: June 15, 1962
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