After a Queens man witnesses his new friend committing murder, he faces a possible frame-up in Pollack’s debut thriller.
Tommy Sullivan avoids a severe beating from a couple of punks, thanks to Troyer Savage stepping in. Tommy hopes that Troyer can give him some pointers on fighting—and also some advice on picking up women. When he trails Troyer to an alley to watch him make his move on a female bartender named Jamie, he instead watches him cut her throat, and Tommy is left to clean up the crime scene. Tommy, fearing that cops will tie him to the murder, escapes to Cape May, New Jersey, where he spent summers as a child. There he reconnects with Aurora, the first girl he ever kissed. Troyer soon shows up, however, and before long there’s another dead body, and Aurora vanishes without a trace. Cops, meanwhile, suspect that Tommy is a killer, and are slowly closing in. Pollack tells about half the story from Tommy’s first-person point-of-view, and the rest in third-person, centered mostly on the police investigation. When Tommy admits to taking an experimental drug for recurrent migraines and mentions having blackouts, readers will begin to question Tommy’s account. Troyer, meanwhile, is a sublimely eccentric villain: He feigns an Australian lilt with Jamie and uses it throughout the story, claiming it’s genuine; and he makes shocking, surprise appearances, even turning up in the trunk of Tommy’s car. Readers will likely anticipate the outcome very early on, and the author seems to know this, but he subverts premature speculation by winding the story through strange DNA and fingerprint results and the discovery of unknown corpses, and by making Troyer particularly elusive. The book’s final act delves into Tommy’s troubled childhood as well as his experimental medication. This last section is engaging and comprehensibly brings the story to a close, but it’s also missing much of the black humor from the previous pages. The ending, however, is a definite winner.
A self-aware psychological thriller that has great fun playing with reader expectations.
Pub Date: May 2, 2014
ISBN: 978-1497524590
Page Count: 390
Publisher: CreateSpace
Review Posted Online: Sept. 16, 2014
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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