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ISRAEL AND EUROPE

AN APPRAISAL IN HISTORY

Since the Yom Kippur War, the overwhelming amount of diplomatic “action” surrounding Israel has involved the US. But during the first half (1941—73) of the Jewish state’s existence, the European powers were crucial to its economic and military survival, as related here. Veteran scholar Sachar (Modern History/George Washington Univ.; Farewell Espa§a: The World of the Sephardim Remembered, 1994, etc.) rightly focuses almost exclusively on the four postwar European powers: Britain, France, West Germany, and the former USSR. Thus, for example, the Wiedergutmachung agreement (on reparations for the Holocaust), negotiated in 1952 between David Ben-Gurion and Konrad Adenauer, and bitterly opposed by Menachem Begin, was absolutely essential to the fledging state’s ability to absorb hundreds of thousands of new immigrants, develop new industry, and help tens of thousands of Holocaust survivors bear difficult economic conditions. Significant military aid from Bonn was forthcoming from the Adenauer era through that of Heinrich Kohl. In the mid-’50s, Paris helped Jerusalem to develop its air force and provided men and materials to build the country’s nuclear reactor in Dimona. Although he emphasizes diplomatic relations, including recently abortive European attempts to play a mediating role between Israel and the Palestinians, Sachar also probes the sharp upsurge in economic trade between Israel and the European Community, which has grown more than tenfold over the past 25 years. Unfortunately, too little here details the attitudes of major European intellectuals and religious leaders toward the Jewish state. In addition, Sachar’s pronounced “dovish” and anticlerical sentiments occasionally intrude, as when he asks: “Would the Israeli people survive a third generation only by maintaining a state of siege, retreating between a wall of parochialist suspicion and fundamentalist exclusivity?” However, these flaws pale in comparison to Sachar’s achievement: A solid, even pathbreaking book that covers a great deal of ground while remaining accessible to the general reader.

Pub Date: Feb. 1, 1999

ISBN: 0-679-45434-9

Page Count: 416

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1998

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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