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MR. NICE

AN AUTOBIOGRAPHY

A tale that beggars belief, told in a most amiable, if long-winded, way.

An easygoing international drug smuggler tells his life story.

Marks spent most of his life looking for a good scam and a good time. As a child, he got out of a school by faking illness; as a student at Oxford, he used his considerable intelligence to cheat on tests and soon became a fixture of the nascent mid-’60s drug scene. Graduation found him “temporarily straight,” but that state soon ended when a dealer friend was jailed and Marks stepped into the breach to sell hashish in London. He moved on to ferrying drugs and currency across European borders for others, and soon enough was arranging his own import/export deals with characters such as “Lebanese Sam,” his man in Beirut, and maverick Irishman Jim McCann, who fixed things at the Shannon airport. Marks traveled the world (Afghanistan, Pakistan, and Thailand for business; Spain and Italy for pleasure) with tons of marijuana and hashish and millions of dollars following in his wake—stuffed behind auto paneling, hidden in yachts, sealed in smell-proof containers for air travel. Meanwhile, Marks collected multiple identities, passports, and bank accounts, as well as a handful of legitimate business operations, although, he reports, “I enjoyed being a smuggler most of all.” In his personal life, Marks kept things simple: after a failed starter marriage, he soon settled down with his second wife and had three children. Following the progression of Marks’s business rapidly becomes overwhelming, but his story, published in England in 1996, is book-ended by a single point: prison. Hunted by the DEA, Marks was finally busted in Spain in the late ’80s and served a number of years in the pen before being shipped back to England.

A tale that beggars belief, told in a most amiable, if long-winded, way.

Pub Date: Nov. 1, 2002

ISBN: 0-7493-9569-9

Page Count: 400

Publisher: Vintage

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2002

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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