Next book

THE CARDINALS WAY

HOW ONE TEAM EMBRACED TRADITION AND MONEYBALL AT THE SAME TIME

Megdal writes with the easy fluency of a Jim Bouton, delivering a book that’s of value to students of business as well as...

Revealing look inside the locker room and front office of a storied baseball franchise.

What is the “Cardinals Way?” On one hand, writes seasoned sportswriter Megdal (Wilpon's Folly: The Story of a Man, His Fortune, and the New York Mets, 2011, etc.), it’s “a product of a hundred years of serendipity,” the result of the confluence of the ideas of numerous baseball pioneers and the realities of the playing field. On the other hand, it’s the outcome of a not-always-easy fit between the insistence on old-fashioned, people-based fundamentals and a devotion to metrics and analytics. Megdal digs deep into the business of how a player is picked. We can expect to see one, a young pitcher named Daniel Poncedeleon, in the 2016 season, and a fine choice he will be, capable of hurling hellacious heat and uttering menacing utterances like, “I like someone in there that wants to hit the ball so I can strike ’em out,” while also revealing himself to be a pretty nice guy. Having picked a player, the Cardinals coaches now have to groom and train, and therein lies a heavy program of enculturation. After grooming and training, they have to retain their best players, which means paying money, something skinflint owners don’t like to do but that does keep a player happy and loyal. Money pervades the game, always figuring in the calculus of who is signed and who is cut and, in the case of the Cardinals, involving “analytic firepower to confidently run an estimate for a player going forward.” By that calculus, writes the author, Poncedeleon carries an on-paper value of $1.75 million, cinched for a $5,000 signing bonus—not a bad deal at all and speaking to the shrewdness of the staff and the hunger of a kid eager to show his stuff on the field.

Megdal writes with the easy fluency of a Jim Bouton, delivering a book that’s of value to students of business as well as baseball fans.

Pub Date: Feb. 23, 2016

ISBN: 978-1-250-05831-7

Page Count: 304

Publisher: Dunne/St. Martin's

Review Posted Online: Dec. 7, 2015

Kirkus Reviews Issue: Dec. 15, 2015

Next book

WHY WE SWIM

An absorbing, wide-ranging story of humans’ relationship with the water.

A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.

For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).

An absorbing, wide-ranging story of humans’ relationship with the water.

Pub Date: April 14, 2020

ISBN: 978-1-61620-786-1

Page Count: 288

Publisher: Algonquin

Review Posted Online: Jan. 4, 2020

Kirkus Reviews Issue: Feb. 1, 2020

Next book

SWIMMING STUDIES

While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.

A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.

Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”

While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.

Pub Date: July 5, 2012

ISBN: 978-0-399-15817-9

Page Count: 288

Publisher: Blue Rider Press

Review Posted Online: May 6, 2012

Kirkus Reviews Issue: May 15, 2012

Close Quickview