From the creators of The Girl Who Dreamed Only Geese (1997), a less ambitious outing: five tales from a workshop run by Norman (15 years ago), illustrated with art that tries to look like leaded stained glass. Except for “The Bird Who Sang Like a Warthog,” which resembles Rodanas’s The Blind Hunter (2003), the stories are new. A “Disobedient Daughter” forces Goolayyahlee the pelican to teach Aboriginal people how to make fishing nets; a “Beautiful Quail” survives a drought in Sri Lanka thanks to the kindness of others; and the transformation of residents of a remote Chinese village into swans when they die becomes “The Swan-Scholar’s Great Secret.” All told in the same formal, restrained tone, the tales receive individuality from the names of the characters, and also from evocative motifs in the stylized art—though the Dillons’ use of a diffuse line makes the colors look watery. Norman identifies the original tellers in a long afterword that’s more about the workshop than the stories. Though handsomely packaged, this pricey gathering won’t draw or keep the interest of child readers or tellers. (Folktales. 8-11)
Pub Date: Oct. 1, 2004
ISBN: 0-15-201982-0
Page Count: 88
Publisher: Gulliver/Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2004
BOOK REVIEW
BOOK REVIEW
Bishop’s spectacular photographs of the tiny red-eyed tree frog defeat an incidental text from Cowley (Singing Down the Rain, 1997, etc.). The frog, only two inches long, is enormous in this title; it appears along with other nocturnal residents of the rain forests of Central America, including the iguana, ant, katydid, caterpillar, and moth. In a final section, Cowley explains how small the frog is and aspects of its life cycle. The main text, however, is an afterthought to dramatic events in the photos, e.g., “But the red-eyed tree frog has been asleep all day. It wakes up hungry. What will it eat? Here is an iguana. Frogs do not eat iguanas.” Accompanying an astonishing photograph of the tree frog leaping away from a boa snake are three lines (“The snake flicks its tongue. It tastes frog in the air. Look out, frog!”) that neither advance nor complement the action. The layout employs pale and deep green pages and typeface, and large jewel-like photographs in which green and red dominate. The combination of such visually sophisticated pages and simplistic captions make this a top-heavy, unsatisfying title. (Picture book. 7-9)
Pub Date: March 1, 1999
ISBN: 0-590-87175-7
Page Count: 32
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1999
A multicultural title with obvious appeal for animal-loving middle graders.
When a Bengali boy finds and saves a tiger cub from a man who wants to sell her on the black market, he realizes that the schoolwork he resents could lead to a career protecting his beloved Sunderbans island home.
When the not-yet-weaned cub escapes from a nearby reserve, Neel and many of his neighbors join the search. But some are in the pay of greedy Gupta, a shady entrepreneur who’s recently settled in their community. Even Neel’s father is tempted by Gupta’s money, although he knows that Gupta doesn’t plan to take the cub back to the refuge. Neel and his sister use the boy’s extensive knowledge of the island’s swampy interior to find the cub’s hiding place and lure it out so it can be returned to its mother. The Kolkota-born author visited the remote Sunderbans in the course of her research. She lovingly depicts this beautiful tropical forest in the context of Neel’s efforts to find the cub and his reluctance to leave his familiar world. While the conflicts resolve a bit too easily, the sense of place is strong and the tiger cub’s rescue very satisfying. Pastel illustrations will help readers envision the story.
A multicultural title with obvious appeal for animal-loving middle graders. (author's note, organizations, glossary) (Fiction. 8-11)Pub Date: April 14, 2015
ISBN: 978-1-58089-660-3
Page Count: 144
Publisher: Charlesbridge
Review Posted Online: Jan. 9, 2015
Kirkus Reviews Issue: Jan. 15, 2015
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