BETWEEN HEAVEN AND EARTH

BIRD TALES FROM AROUND THE WORLD

From the creators of The Girl Who Dreamed Only Geese (1997), a less ambitious outing: five tales from a workshop run by Norman (15 years ago), illustrated with art that tries to look like leaded stained glass. Except for “The Bird Who Sang Like a Warthog,” which resembles Rodanas’s The Blind Hunter (2003), the stories are new. A “Disobedient Daughter” forces Goolayyahlee the pelican to teach Aboriginal people how to make fishing nets; a “Beautiful Quail” survives a drought in Sri Lanka thanks to the kindness of others; and the transformation of residents of a remote Chinese village into swans when they die becomes “The Swan-Scholar’s Great Secret.” All told in the same formal, restrained tone, the tales receive individuality from the names of the characters, and also from evocative motifs in the stylized art—though the Dillons’ use of a diffuse line makes the colors look watery. Norman identifies the original tellers in a long afterword that’s more about the workshop than the stories. Though handsomely packaged, this pricey gathering won’t draw or keep the interest of child readers or tellers. (Folktales. 8-11)

Pub Date: Oct. 1, 2004

ISBN: 0-15-201982-0

Page Count: 88

Publisher: Gulliver/Harcourt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 1, 2004

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A-mew-sing fare for readers who sometimes feel like fraidycats themselves.

SCAREDY CAT

Two shelter cats take on a mysterious puss with weird powers who is terrorizing the feline community.

Hardly have timorous (and aptly named) Poop and her sophisticated buddy, Pasha, been brought home by their new “human beans” for a two-week trial than they are accosted by fiery-eyed Scaredy Cat, utterly trashing the kitchen with a click of his claws and, hissing that he’s in charge of the neighborhood, threatening that if they don’t act like proper cats—disdaining ordinary cat food and any summons (they are not dogs, after all), clawing the furniture instead of the scratching post, and showing like “cattitude”—it’ll be back to the shelter for them. Will Poop and Pasha prove to be fraidycats or flee to the cowed clowder of homeless cats hiding from the bully in the nearby woods? Nope, they are made of sterner stuff and resolutely set out to enlist feline allies in a “quest for life, liberty, and the pursuit of purrs!” Cast into a gazillion very short chapters related by furry narrators Poop and Pasha, who are helpfully depicted in portrait vignettes by Herzog at each chapter’s head, the ensuing adventures test the defiant kitties’ courage (and, in some cases, attention spans) on the way to a spooky but poignant climax set, appropriately enough as it happens, in a pet graveyard.

A-mew-sing fare for readers who sometimes feel like fraidycats themselves. (Adventure. 9-11)

Pub Date: March 15, 2021

ISBN: 978-0-316-49443-4

Page Count: 304

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: March 3, 2021

Kirkus Reviews Issue: March 15, 2021

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Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...

ESCAPE FROM BAXTERS' BARN

A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.

Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.

Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)

Pub Date: July 7, 2015

ISBN: 978-0-544-33217-1

Page Count: 256

Publisher: HMH Books

Review Posted Online: April 1, 2015

Kirkus Reviews Issue: April 15, 2015

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