TRICKSTER AND THE FAINTING BIRDS

Norman (The Girl Who Dreamed Only Geese, 1997) presents seven trickster tales collected from living Algonquian storytellers, collated from multiple versions and backed up by specific source notes. That said, the scholarship is unobtrusive, and readers will have no trouble following Trickster from one pickle to the next. They may be puzzled at times—in the first story a meeting with a man/bear-hermit persuades Trickster, for some reason, to stop boasting that he’s “best at being alone”—but they’ll also laugh when Fox is bamboozled out of all but the feet of a brace of ducks, or when Trickster is tricked out in a coat of moldy fish heads in one tale, and a weasel’s tail in another. The lines of text are varied in length to evoke the cadences of live telling, and Pohrt’s human and animal figures are depicted with expressive, fine-lined realism. An inviting, inarguably authentic collection. (Folklore. 8-12)

Pub Date: Oct. 1, 1999

ISBN: 0-15-200888-8

Page Count: 82

Publisher: Harcourt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 15, 1999

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AN AMISH YEAR

Readers follow a fourth grade Amish girl named Anna through the four seasons in a gentle tale from Ammon (An Amish Christmas, 1996, not reviewed). Perhaps in the spirit of Amish culture, the book does not engage reader through flashy illustrations or a kitschy plot. Instead, it offers a sense of serene assurance that arises from this community that is attempting to live according to its set of beliefs. Anna’s life, as with all Amish, revolves around the seasons, home, and farm. Hard work, milking the cows, tending the vegetable garden, and school take up most of her time, but that does not preclude fun; there is a time and place for everything in her life, including play when the work is done. Like the “English” (non-Amish), Anna and her friends enjoy softball, volleyball, flying kites, sledding, etc. Ammon makes Anna approachable, subtly revealing the similarities between her life and readers’ while illuminating the fundamentals of Amish culture. The well-researched, luminous illustrations resonate with the beauty of this life and are an integral part of the book. For a hurly-burly society, the notion of families gathering and caring for one another in an extended network of aunts, uncles, and cousins is inviting and accessible. (Picture book. 5-7)

Pub Date: Feb. 1, 2000

ISBN: 0-689-82622-2

Page Count: 40

Publisher: Atheneum

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 15, 1999

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AUNT PITTY PATTY'S PIGGY

Aylesworth and McClintock (The Gingerbread Man, 1998) tackle the story of the old woman whose pig won’t go over the stile, hindering her from going home. Here, the fat piggy is purchased at the market, but when it arrives home, it won’t go through the gate. The old woman, in this case Aunt Pitty Patty, enlists her young niece Nelly to go fetch help. Nelly implores a dog to bite the pig, a stick to hit the dog, a fire to burn the stick, water to douse the fire, etc. All the while, the piggy is parked by the gate reciting, “No, no, no, I will not go.” Aylesworth’s addition of the rhyming refrain preserves some of the cadence of the traditional tale, while softening the verbs (“hit” instead of “beat,” the rope “ties” instead of “hangs,” the butcher is to “scare” instead of “kill”) usually associated with it. McClintock emphasizes expression over action, and employs the same dainty brown line and soft watercolor wash of this team’s previous book. (Picture book/folklore. 3-7)

Pub Date: Sept. 1, 1999

ISBN: 0-590-89987-2

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1999

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