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THE ART OF INVENTING HOPE

INTIMATE CONVERSATIONS WITH ELIE WIESEL

Irreplaceable thoughts from a vanishing generation.

A collection of final timeless reflections from Elie Wiesel (1928-2016).

Chicago Tribune veteran Reich (Portraits in Jazz: 80 Profiles of Jazz Legends, Renegades and Revolutionaries, 2014, etc.), whose parents were survivors of the Holocaust, looks back on his greatest opportunity as a writer and journalist: numerous conversations with the Nobel laureate. This brief but moving work artfully intertwines Wiesel’s words of wisdom with Reich’s quest to further understand his own family’s untold story. The author recalls a youth colored by his parents’ trauma and yet lived in silence, as their experiences during the Holocaust were utterly unspoken topics. Only later in life, when Reich’s father was dead and his mother was struggling with the delusional effects of PTSD, was he able to fully understand their stories. His fortuitous friendship with Wiesel helped him in this quest. In many ways, Reich’s book is a reflection on the lives of the children of Holocaust survivors rather than the survivors themselves. This generation, raised in the shadow of the Holocaust but often without a clear picture of what it really meant for their parents, carries its own particular burden. It is a burden Reich feels keenly and which Wiesel fully appreciated. Beyond calling on the children to do away with feelings of guilt, Wiesel embraces their worth: “To be a child of survivors is to be miraculous. What had to be done for a child to be born! For the survivors to overcome fear.” In their conversations, Reich and Wiesel cover many topics, including anti-Semitism, Israel, forgiveness, and faith. Wiesel’s mindset is almost universally positive, and he never judges the conclusions of other survivors, consistently choosing a path of hope and compassion. Reich does an admirable job of complementing his subject’s sage words with his own perspective without in any way detracting or distracting from it—no easy task yet one the author accomplishes with aplomb.

Irreplaceable thoughts from a vanishing generation.

Pub Date: May 7, 2019

ISBN: 978-1-64160-134-4

Page Count: 240

Publisher: Chicago Review Press

Review Posted Online: Feb. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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