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DIVISIBLE MAN

Well-written and engaging, with memorable characters and an intriguing hero.

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In this debut thriller, a pilot survives a crash and discovers that he’s developed strange abilities, which come in handy when someone kidnaps his friend’s daughter.

Will Stewart, a 30-something pilot for Essex County Air Services, wakes in an Essex, Wisconsin, hospital with a broken pelvis, lucky to be alive after his twin-engine airplane accident. He remembers nothing—but what’s more unsettling is the fact that he’s floating 6 feet above his bed, his body invisible. When the moment passes, Will initially chalks it up to a morphine-induced hallucination. Later, he’s not so sure, but he’s hesitant about testing himself further. For one thing, he doesn’t want to give his 23-year-old police-sergeant wife, Andrea “Andy” Taylor, anything else to worry about. However, Will can’t resist using his new powers, especially after he’s home from the hospital. With practice, he discovers that he can control his invisible floating, and that anything he’s wearing becomes invisible, as well. For a man who loves flying planes, it’s a huge rush: “I felt joy in its purest form. First solo flight joy. First time popping up through the clouds joy. First love joy.” Will perfects his floating technique a bit slowly, but it’s enjoyable to watch his growing mastery. Then disaster hits when gangsters kidnap Lane Franklin, the 14-year-old daughter of the air service’s office manager, in Essex, where she and her mother live. A member of the gang later tells Andy that Lane was “selected by someone big, someone on top.” The cop joins the hunt to find her, and Will feels “the dawning of a brilliant, and possibly insane idea” involving his new abilities. If he can pull it off, he’ll save an innocent girl from a terrible fate. Seaborne, a flight instructor and charter pilot, vividly evokes the world of charter airlines and those who populate them, particularly with his well-drawn character sketches. For example, he ably evokes the owner of Essex County Air Services, Earl Jackson, who sold his lucrative business and now “prefers to spend his days sitting in a tiny office crammed with maintenance manuals and pondering fuel purchases.” The book offers lots of information on aviation and law enforcement, but it’s nicely counterbalanced with warm human relationships, such as the one between Will and Andy. The novel’s latter half shows how Will’s practice sessions pay off, offering several satisfying outcomes. However, this second part lacks the plausibility that Seaborne so carefully constructs in the first, and more closely resembles an extended action sequence in a superhero tale, although, in this case, Will is still learning to control his powers. The thugs are standard issue, and with few candidates to choose from, the main villain’s identity isn’t hard to guess. That said, Milwaukee is well-described, from its boarded-up inner-city houses to its luxe mansions on Lake Drive. Altogether, this book is a strong start to a series, which will continue in Divisible Man: The Sixth Pawn.

Well-written and engaging, with memorable characters and an intriguing hero.

Pub Date: June 6, 2018

ISBN: N/A

Page Count: 319

Publisher: Trans World Data

Review Posted Online: May 26, 2018

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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