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DIVISIBLE MAN

Well-written and engaging, with memorable characters and an intriguing hero.

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In this debut thriller, a pilot survives a crash and discovers that he’s developed strange abilities, which come in handy when someone kidnaps his friend’s daughter.

Will Stewart, a 30-something pilot for Essex County Air Services, wakes in an Essex, Wisconsin, hospital with a broken pelvis, lucky to be alive after his twin-engine airplane accident. He remembers nothing—but what’s more unsettling is the fact that he’s floating 6 feet above his bed, his body invisible. When the moment passes, Will initially chalks it up to a morphine-induced hallucination. Later, he’s not so sure, but he’s hesitant about testing himself further. For one thing, he doesn’t want to give his 23-year-old police-sergeant wife, Andrea “Andy” Taylor, anything else to worry about. However, Will can’t resist using his new powers, especially after he’s home from the hospital. With practice, he discovers that he can control his invisible floating, and that anything he’s wearing becomes invisible, as well. For a man who loves flying planes, it’s a huge rush: “I felt joy in its purest form. First solo flight joy. First time popping up through the clouds joy. First love joy.” Will perfects his floating technique a bit slowly, but it’s enjoyable to watch his growing mastery. Then disaster hits when gangsters kidnap Lane Franklin, the 14-year-old daughter of the air service’s office manager, in Essex, where she and her mother live. A member of the gang later tells Andy that Lane was “selected by someone big, someone on top.” The cop joins the hunt to find her, and Will feels “the dawning of a brilliant, and possibly insane idea” involving his new abilities. If he can pull it off, he’ll save an innocent girl from a terrible fate. Seaborne, a flight instructor and charter pilot, vividly evokes the world of charter airlines and those who populate them, particularly with his well-drawn character sketches. For example, he ably evokes the owner of Essex County Air Services, Earl Jackson, who sold his lucrative business and now “prefers to spend his days sitting in a tiny office crammed with maintenance manuals and pondering fuel purchases.” The book offers lots of information on aviation and law enforcement, but it’s nicely counterbalanced with warm human relationships, such as the one between Will and Andy. The novel’s latter half shows how Will’s practice sessions pay off, offering several satisfying outcomes. However, this second part lacks the plausibility that Seaborne so carefully constructs in the first, and more closely resembles an extended action sequence in a superhero tale, although, in this case, Will is still learning to control his powers. The thugs are standard issue, and with few candidates to choose from, the main villain’s identity isn’t hard to guess. That said, Milwaukee is well-described, from its boarded-up inner-city houses to its luxe mansions on Lake Drive. Altogether, this book is a strong start to a series, which will continue in Divisible Man: The Sixth Pawn.

Well-written and engaging, with memorable characters and an intriguing hero.

Pub Date: June 6, 2018

ISBN: N/A

Page Count: 319

Publisher: Trans World Data

Review Posted Online: May 26, 2018

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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