Zinn undertakes to expose the destructive side of U.S. history since World War II, after arguing that the war itself was not a Four Freedoms crusade but a venture in power politics that laid the basis for expanded American empire. Crimes against the poor, blacks, women, and the Bill of Rights at home, and against peoples abroad, are the book's theme. For readers without previous exposure to this sort of Kolko-Barnet New Left challenge to the America-the-Virtuous approach, the book may be valuable; and Zinn's jeremiads are generally convincing as far as they go, but his moral energy fizzles out into mere moralism, since the book lacks explanatory strength. What was wrong with America? The "creed" — nationalism, profit and competition, pseudo-democracy excluding mass participation. Why did rebellions occur in the '60's? A new "mood" — rather a circular answer. In a "History of American Society" series entry, one expects analysis of the developmental (and counter-developmental) processes at work. But Zinn tends to fall back on timeless constructs; for example, the Attica massacre is regarded as simply typical of U.S. racism. But does he really believe it could have happened the same way in 1951 or 1961? Zinn's best work, perhaps, has been done on more concrete topics (SNCC: The New Abolitionists, 1964-65; the Ludlow 1912 article in Politics of History, 1971) but it seems that a certain demoralization in the ebb of the old "politics of protest" may account for the book's tone of impotent outrage. In the end Zinn returns to a form of Consciousness III hope which at this point smells of despair.
Pub Date: April 1, 1973
ISBN: 089608678X
Page Count: 320
Publisher: Bobbs-Merrill
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: April 1, 1973
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An eclectic assortment of women make for an entertaining read.
An exuberant celebration of more than 100 women who shaped the myths and realities of New York City.
In her debut book, journalist Scelfo, who has written for the New York Times and Newsweek, aims to counter histories of New York that focus only on “male political leaders and male activists and male cultural tastemakers.” As the author discovered and shows, the contributions of women have been deeply significant, and she has chosen a copious roster of personalities, gathered under three dozen rubrics, such as “The Caretakers” (pioneering physicians Dr. Elizabeth Blackwell and Dr. Sara Josephine Baker, who enacted revolutionary hygienic measures in early-20th-century tenements); “The Loudmouths” (Joan Rivers and Better Midler); and “Wall Street” (brokerage firm founder Victoria Woodhull and miserly investor Hetty Green). With a plethora of women to choose from, Scelfo aimed for representation from musical theater, law enforcement, education, social justice movements, and various professions and organizations. Some of the women are familiar (Jacqueline Kennedy Onassis for her preservation work; Brooke Astor for her philanthropy), some iconic (Emma Lazarus, in a category of her own as “The Beacon”), and some little-known (artist Hildreth Meière, whose art deco designs can be seen on the south facade of Radio City Music Hall). One odd category is “The Crooks,” which includes several forgettable women who contributed to the city’s “cons and crimes.” The author’s brief, breezy bios reveal quirky facts about each woman, a form better suited to “The In-Crowd” (restaurateur Elaine Kaufman, hardly a crowd), entertainers (Betty Comden, Ethel Waters), and “The Wisecrackers” (Nora Ephron, Tina Fey) than to Susan Sontag, Edith Wharton, and Joan Didion. Nevertheless, the book is lively and fun, with something, no doubt, to pique anyone’s interest. Heald’s blithe illustrations add to the lighthearted mood.
An eclectic assortment of women make for an entertaining read.Pub Date: Oct. 25, 2016
ISBN: 978-1-58005-653-3
Page Count: 304
Publisher: Seal Press
Review Posted Online: Aug. 20, 2016
Kirkus Reviews Issue: Sept. 1, 2016
Vintage McCullough and a book that students of American history will find captivating.
A lively history of the Ohio River region in the years between the Revolution and the Civil War.
McCullough (The American Spirit: Who We Are and What We Stand For, 2015, etc.) isn’t writing about the sodbusters and hardscrabblers of the Far West, the people whom the word “pioneers” evokes, but instead their predecessors of generations past who crossed the Appalachians and settled in the fertile country along and north of the Ohio River. Manasseh Cutler, one of his principal figures, “endowed with boundless intellectual curiosity,” anticipated the movement of his compatriots across the mountains well before the war had ended, advocating for the Northwest Ordinance to secure a region that, in McCullough’s words, “was designed to guarantee what would one day be known as the American way of life”—a place in which slavery was forbidden and public education and religious freedom would be emphasized. “Ohio fever” spread throughout a New England crippled, after the war, by economic depression, but Southerners also moved west, fomenting the conditions that would, at the end of McCullough’s vivid narrative, end in regional war three generations later. Characteristically, the author suggests major historical themes without ever arguing them as such. For example, he acknowledges the iniquities of the slave economy simply by contrasting the conditions along the Ohio between the backwaters of Kentucky and the sprightly city of Cincinnati, speaking through such figures as Charles Dickens. Indeed, his narrative abounds with well-recognized figures in American history—John Quincy Adams, Harriet Beecher Stowe, Johnny Appleseed—while highlighting lesser-known players. His account of Aaron Burr—who conspired to overthrow the government of Mexico (and, later, his own country) after killing Alexander Hamilton, recruiting confederates in the Ohio River country—is alone worth the price of admission. There are many other fine moments, as well, including a brief account of the generosity that one farmer in Marietta, Ohio, showed to his starving neighbors and another charting the fortunes of the early Whigs in opposing the “anti-intellectual attitude of the Andrew Jackson administration.”
Vintage McCullough and a book that students of American history will find captivating.Pub Date: May 7, 2019
ISBN: 978-1-5011-6868-0
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: Aug. 26, 2019
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