This debut moves from the misadventures of several boys at a British public school in 1926 to a study of a particularly hapless young man and his possible redemption.
St. Stephen’s Academy, a so-so non-Eton, is muddling along when one malevolent lad arranges a subversive prank that sparks a disciplinary backlash. Within the communal crime and punishment, Cross zooms in on the trials of Morgan Wilberforce, a 17-year-old dealing with hormones, underage females, abusive seniors, constant caning, and a few well-meaning teachers. One of the latter is John Grieves, on whom Cross expends a good deal of ink only to fade him out in the book’s second half. Morgan gets tangled in an all-boy triangle that ends tragically (though not before Cross oozes a good deal of purple prose), yet he bounces back in the annual cricket match between students and Old Boys. Finally, one offense too many gets him exiled to the home of an intriguing bishop who combines prayer, poetry, and talking cure in ministrations with an unclear outcome thanks to the novel’s slyly ambiguous ending. The cleric is the father of the academy’s new headmaster and tied to a painful time in Grieves’ youth, but these connections aren’t developed. Indeed, the book has several significant and promising loose ends that support the publisher’s bruiting about of Cross’ Rowling-esque ambitions for more volumes on St. Stephen’s & Co., perhaps achieving “the Hogwarts of adult literary fiction.” Maybe: certainly the dollops of frank sexual action will keep this installment off the teen shelves, and the absence of a single substantial female character might have more than halved the younger audience anyway.
Cross has made a solid start for continued exploration of this strange yet for many readers familiar world, one that might well capture a libidinous P.G. Wodehouse crowd, if she can render her quirky setting, cast, and concerns less earnest and more amusing.Pub Date: Sept. 15, 2015
ISBN: 978-0-374-29010-8
Page Count: 464
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 28, 2015
Kirkus Reviews Issue: July 15, 2015
Categories: GENERAL FICTION
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Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Categories: GENERAL FICTION
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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.
27
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Inseparable identical twin sisters ditch home together, and then one decides to vanish.
The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.Pub Date: June 2, 2020
ISBN: 978-0-525-53629-1
Page Count: 352
Publisher: Riverhead
Review Posted Online: March 15, 2020
Kirkus Reviews Issue: April 1, 2020
Categories: LITERARY FICTION | GENERAL FICTION
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SEEN & HEARD
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