by Huck Fairman ‧ RELEASE DATE: Nov. 1, 2005
In Fairman's world, it's the bad guys who can carry a tune.
Writer Christine Howth, mourning her recently deceased father, a broken marriage and a career stuck in neutral, accepts a job at celebrity-driven Avenue Magazine, jolting her back to life.
Her first assignment, suggested by Hollywood hunk John Trevelyan, whom Christine once interviewed and bedded, is to profile famously reclusive director David Loomis. Winning over the aging director with her insight–and promise to keep his private life out of the article–Christine follows the director to rehearsal halls in New York City and on location in the Adirondacks, eventually falling in love with him. But with their growing intimacy comes an even greater urgency to keep the director's life-changing secret out of print, setting Christine up for a decision that will alter the course of both their careers. Fairman, with a background in filmmaking, is in need of a careful editor for this high-minded soap opera. Or it may be that Hymn, in trying to dissect the worlds of film and writing, would translate better to screen. Windy conversations between Loomis and Christine about the nature of film and its inspiration are as forgettable as they are long; the interspersed text of Christine's own novel are choppy, superficial and overwritten. Too many supporting characters crowd the stage with little to do: Loomis's old lover, who is the star of his new film, his spoiled daughters, Christine's married lover in Paris. A homeless woman who briefly interests Loomis and Christine is more baffling than poignant. Christine's troubled brother Luke is haunting, but never fully explained. Fortunately, there are exceptions that quicken the pace of this otherwise slow-go: Avenue Magazine editrix Kirsten is a snide, bitchy and perceptive foil for Christine's mawkish indecision, and the self-absorbed bad-boy actor John evolves from harmless to dangerously driven.
In Fairman's world, it's the bad guys who can carry a tune.Pub Date: Nov. 1, 2005
ISBN: 1-4134-2352-3
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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