The star here is Kimball, who upstages even Jefferson, emerging as a towering figure in American architecture and...
Interwoven stories of America’s earliest architects and prodigious scholar Dr. Fiske Kimball (1888–1955), who devoted his career to discovering, restoring and preserving their work.
The title is a bit misleading: Although Jefferson does have a significant and signal presence in the work, he is not the only figure Howard discusses. The author has written about the master of Monticello before (Thomas Jefferson, Architect, 2003, not reviewed) and has published frequently on other architectural subjects (House-Dreams, 2001, etc.). Howard begins by sketching the early career of Kimball, who in 1914 discovered a vast cache of Jefferson’s architectural drawings, a finding that led to his first book. Howard eventually takes us through Kimball’s entire career (ending with his notable and ultimately contentious 30-year tenure as the director of the Philadelphia Museum of Art), periodically interrupting with substantial segments about the lives and accomplishments of America’s first builders and architects, most notably William Buckland, John Trumbull, Charles Bulfinch, Benjamin Latrobe, Samuel McIntyre and Robert Mills. Some of these—especially McIntyre and Mills—are names not well-known to the general public, and Howard does a stellar job of telling their human and professional stories. The author includes numerous reproductions of early architectural drawings and, for the most part, lets us know the fates of the structures he discusses. His account of the glorious but long-gone Derby mansion in Salem will make readers wish a preservationist spirit had prevailed in 1815, the year workmen razed the building. Howard’s vast research enables him to explore the connections (not always amiable) among these men (Mills, for example, met them all). He also explores the social and political forces that often affect the design and placement of public buildings. Howard’s discussion of the controversies about the Jefferson Memorial is especially clear and comprehensive.
The star here is Kimball, who upstages even Jefferson, emerging as a towering figure in American architecture and architectural scholarship.Pub Date: Oct. 3, 2006
ISBN: 1-58234-455-8
Page Count: 320
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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