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THE CRIMSON HEIRLOOMS

From the Crimson Heirlooms series , Vol. 1

A formidable, ambitious debut novel with the tantalizing promise of a follow-up.

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This historical novel offers a smorgasbord that includes Freemasonry, aborted revolutions, slavers, family dynasties, Jean-Jacques Rousseau, and the Enlightenment—while also telling a tale of a far-ranging treasure hunt.

The engine of the plot in Dennis’ tale is a search for the “crimson heirlooms”: the Cross of Nantes, an almost mystically stunning creation that makes its bearer “merchant royalty,” and a “less tangible” heirloom: “the words of the devil’s song, as he danced across the blood-drenched hills of the Vendée Militaire.” Whoever finds these heirlooms will inherit the holdings of the wealthy Traversier family and be rich as Croesus. There are several pivotal characters and forces in this densely packed novel that’s set in the late 18th and early 19th centuries, and chief among them is Xavier Traversier, the heir to his family’s mercantile enterprise in the city of Nantes in western France. The business is in decline during his childhood, but by book’s end he will have taken the Traversier fortunes to incredible heights. Jake Loring is an American student in 1832 Paris and a budding revolutionary who’s forced by a man named Monsieur Tyran into searching for the heirlooms. By a circuitous route, the story arrives in 1783 Saint-Domingue (later known as Haiti), which brings in the Guerrier clan, including father Feroce, mother Seonaidh, and the children, Guillaume and Estelle; the kids, when grown up, figure in the story at crucial junctures. Freemasonry also undergirds the intellectual history of the era along with the ideas of philosophers Rousseau and Montesquieu. Revolution is in the air as the story alternates between different time periods. The end presents a semiconclusion to the action followed by the phrase “To Be Continued.” Dennis knows how to spin a yarn, although the reader may be forgiven for not keeping all the characters straight over 400-plus pages; indeed, an initial list of the various players might have been helpful. The intellectual discussions sometimes make things drag a bit unless one is already a keen student of political and intellectual history, but when Dennis is good, he’s very good—especially when it comes to description. The details of Traversier’s first voyage as captain of his slave ship are particularly horrifying. Likewise, the particulars of Jake’s frontline actions as a revolutionary and Guillaume’s earlier exploits, also as a revolutionary (Plus ça change…), are well-handled. One curious chapter, “Jérémie,” stands out as an eloquent testimony on the plight of the country peasants of the time; revolution should come as no surprise at all, even if it does start in the cities. Dennis has certainly immersed himself in the era of his novel, and he has clearly done his homework. The result is a book in which readers can certainly lose themselves, in the best sense of the term. And although it would be a long stretch to compare this novel to those of Leo Tolstoy or Victor Hugo, the flavor of their works is certainly present.

A formidable, ambitious debut novel with the tantalizing promise of a follow-up.

Pub Date: Jan. 31, 2018

ISBN: 978-0-9994936-0-1

Page Count: 470

Publisher: A-R-B Books

Review Posted Online: April 11, 2018

Kirkus Reviews Issue: May 15, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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