Next book

TOTO

A sweet, uplifting take on facial difference, friendship, and self-acceptance.

A child feels self-conscious about the birthmark on her forehead.

Mom says the birthmark is an angel’s kiss, and cousin Charlie says it’s a superpower. Still, the unnamed protagonist wonders how she’d look without the mark, which she’s named Toto. And when strangers ask about Toto, the narrator’s face reddens, and she “cannot say a word.” Pink-hued Toto and the narrator’s crimson cheeks stand out against the sepia-toned backdrops, emphasizing the narrator’s feeling that “sometimes people only see Toto, not me.” So when Mom proposes concealing Toto under the child’s bangs before school starts, she agrees. At school, she quickly befriends a girl named Niko. But when the narrator hangs upside down from the monkey bars, Toto is revealed. To the protagonist’s astonishment, Niko thinks she’s “just extraordinary”—“The birthmark on your face means that you have another life!” Later, the narrator muses that without Toto, “I might not look like ME at all. And I might not feel extraordinary.” Using short sentences and appealing kid logic, Yum, who based the story on a friend’s daughter’s experience and her own childhood memories of fielding questions about a birthmark on her leg, introduces young readers to the idea of facial difference. The narrator’s and Niko’s doll-like faces are endearing, conveying joy, embarrassment, and surprise through simple lines. The protagonist and her family have skin the white of the page and present East Asian; Niko has darker skin.

A sweet, uplifting take on facial difference, friendship, and self-acceptance. (Picture book. 4-8)

Pub Date: Jan. 21, 2025

ISBN: 9780823453894

Page Count: 40

Publisher: Neal Porter/Holiday House

Review Posted Online: Oct. 25, 2024

Kirkus Reviews Issue: Dec. 1, 2024

Next book

SPAGHETTI HEAD & CHICKEN FINGERS

Wild and wacky.

A picture book from the comedy duo known as Rhett & Link, creators of the online juggernaut Good Mythical Morning.

Lumo is obsessed with chicken fingers; Saffy, who is new to town and anxious about starting school, finds comfort in the only food she likes: buttered spaghetti. The night before the first day of school, a thunderstorm rages, and each kid makes a wish—“to have chicken fingers at school,” in Lumo’s case; Saffy wishes for “the first thing off the top of her head: buttered spaghetti.” File under “Be careful what you wish for.” Lumo’s and Saffy’s respective physical changes (chicken fingers for fingers, spaghetti for hair) make navigating school a challenge but bring them together in the cafeteria, where they enjoy some new foods—and their new friendship. The plotting could have been sharper: Why do the kids’ bodies suddenly return to normal? And couldn’t the authors have thought up a less old-hat story-ending punch line? Nevertheless, McLaughlin and Neal get by on their charm, and the plot sets up some funny visuals. Salcedo’s cartoony Photoshop art features well-chosen artifacts from a typical kid’s life and captures the mortification of not fitting in, which will be familiar even to readers who have never experienced breaded fingers or noodle hair. Lumo is brown-skinned and dark-haired; Saffy is pale-skinned with disheveled reddish-brown hair.

Wild and wacky. (Picture book. 4-8)

Pub Date: June 16, 2026

ISBN: 9780063474154

Page Count: 32

Publisher: HarperPop/HarperCollins

Review Posted Online: March 23, 2026

Kirkus Reviews Issue: April 15, 2026

Next book

ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Close Quickview